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2. Partially tapped neck.
3. Both pickups tapped.
4. Partially tapped bridge.
5. Bridge humbucker.
To me that's logical for a twin humbucker guitar. On a Telecaster I'd use a tapped bridge pickup (my personal favourite is an Oil City Wapping Wharf):
1. Neck and tapped bridge in series
2. Neck
3. Neck and tapped bridge in parallel
4. Tapped bridge
5. Untapped bridge
Again it's logical to me, and I don't have to think too hard mid song. It puts the combinations which I most use next to each other, and the louder combinations at each end which is helpful if you suddenly want a bigger sound for an unplanned solo.
1. Neck humbucker coils in series
2. Neck Humbucker coils in parallel
3. Both humbuckers
4. neck and bridge tapped
5. Bridge humbucker.
I really liked it, as position 2 sounded quite like neck and middle on a strat
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I just hated the concept - a knob to select pickups just feels totally wrong to me. It also really bugged my that they stuck a knob on with 10 numbers! FFS just design a knob fit for purpose! You charge enough for the bloody guitars!
so we have 3 spaces filled....regular front and back HBs and both HBs on mix.....
what about the other two then...?
is this do... able?
Position 1: Bridge HumbuckerPosition 2: Bridge Humbucker with Neck SinglecoilPosition 3: Bridge and Neck HumbuckersPosition 4: Neck Humbucker with Bridge SinglecoilPosition 5: Neck HumbuckerI got this ^ from PRS site and just changed out position 4
the original config for position 4 was....
Position 4: Neck Singlecoil with Bridge Singlecoil
If the only change is on positions 4 then I'd guess they the wires are soldered across a couple of positions.
A wiring jedi might be able to help - @ICBM are you familiar with these switches?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I'd use a push/push though.
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If you want those near strat tones, go for the 5 way. If you are ok with the more conventional but thinner tapped tones, then the 3 way/push pull is fine.
With the 5 way, I don't tend to use the middle position much as its a bit duller sounding. But the other 4 tones are great.
I'm now very used to the 5 way and I can select positions instinctively much faster than having to move a toggle and pulling a tone knob. But if there was a way to replicate the current 4 tones I like and have two genuinely useful additional tones, I'd have no problem in doing a conversion to 3 way with push pull.
That will give you at least three of the tones you like, plus two true single coil sounds and the both-humbuckers sound - which I always found the best sound on a PRS, and isn't on the 5-way at all - although I think it was on the originals.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
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If I was going to do a switch change I'd like even more tonal variation to make it worthwhile. There is a way of getting 10 tones with either the 5-way rotary or 5-way slide-selector, which you couldn't get with the 3-way plus push-pull - unless there was a way of doing this with a double-push-pull perhaps?
Here's a link to the mod from the PRS forum:
http://www.prsforums.com/forums/index.php?showtopic=24379
Switching it to the inner coils makes it much more Stratty, especially on a 24-fret model because the pickups are close enough together. On the 22s it's not as good, and in fact there's less difference between the two sounds anyway - which is another reason I don't like the rotary. On the 22s the range of tones from the toggle/push-pull is wider. Of course the rotary was originally designed for the 24-fret model.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein