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It's the perfect case study for why I think the reaction system incentivises the wrong behaviour.
you really are humorless :-)
The point is you came in and disrupted the thread by arsing about thus earning lots of frets whereas the people who took it upon themselves to help me with a question in the most part didn't earn any.
The frets system (which I added) was supposed to encourage people to be helpful, but it actually encourages them to be smart arses.
The funny thing I notice about Thorpy pedals is you tend to think. "Yeah it's pretty good" and then you go back to one of your other pedals and it just seems totally lifeless and dead in comparison to the Thorpy.
I haven't had a huge amount of time with it yet, but so far I'm extremely impressed. I was fairly sure I would be as I tried one at the show in Brum a couple of months back.
The pedal it most reminds me of is the Bluebreaker/King of Tone. I know a lot of people compare it to the Timmy, but I've never had one of them so I have no idea if that's true or not. It's not got insane volume so I don't think it's any kind of 18v Klon like thing.
If I had to hazard a guess I'd say it was something like a KoT style circuit with a Baxandall EQ post circuit.
It's really nice throughout the whole gain range a lot of these type of pedals work as a boost or with slight grit, but get really harsh when they are wound up. You can run the Peacekeeper flat out and it still sounds great. It doesn't get especially dirty, but you could use it as a rhythm pedal for Zep/Stones type stuff into a clean amp with no problem.
It has the really nice property of seeming to work really well with just about everything stacked in either direction and into a clean and dirty amp and it's one of those "make everything sound better" pedals.
I think one of the reasons for this is the bass control. Most pedals are either thin into a clean amp or too blobby and wooly into a gainy amp and being able to tailor the low end is the key to making it fit. I don't think the frequency of the bass control is perfect compared to the MXR Super Badass and Badass OD I have on my board, but it does the job.
Having pre and post treble is a cool feature as pushing the pre makes it a lot more lairy and sizzly, but you can stop it being an icepick with the post. Similarly you can make the gain smooth without loosing all the sparkle by doing the opposite.
I think it's my favorite of Thorpy's pedals along with the Fallout Cloud (which I hope to get next). I have had a Gunshot in the past, but I came to the conclusion that it did what it did very well, but that wasn't something I especially needed. This one is going to see a lot of use.
It's the only one I don't feel I have a good handle on.
Not in a position to buy now, but might be when you are ready to part with it.
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