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The original Prometheus is out of production (the current Deluxe model is a lot of cash, but a lot of pedal too), but you should be able to find one.
Don't talk politics and don't throw stones. Your royal highnesses.
BOSS Auto Wah
Ibanez/Maxon versions of the same thing
Electro-Harmonix Cock Fight
ironically, in spite of the design brief, the EHX Cock Fight really benefits from the addition of an expression pedal to alter the peak frequency.
3 Leaf Audio Wonderlove
DOD FX25 (not the 25B)
Maxon AF-9
Emma Discombobulator
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Lots of good envelope filter/autowah suggestions already - I particularly liked the Subdecay Prometheus and the Exar Multiwah (also sold as the Jacques Trinity). But they don't sound like a Crybaby/RMC/Castledine.
The boss ft-2 is excellent. So much fun.
And the dod FX 25 is also excellent, slightly dirtier sounding almost. Porno in a box.
That's interesting. I like the morley wahs, because they sound more like a huge synth sweep than a wah pedal. Nice to know the technical difference
My other go to is the Boss FT-2 Dynamic Filter. I love this pedal, esp. for bass. I play with fingers and the FT-2 can give me a really pick like attack. It also is excellent for 6 string and works well for a cocked wah effect via the Cutoff control. It has a socket for an expression pedal but I found the sweep a bit too too mild.
The Mad Prof Auto Wah is another really good one, probably the most realistic if you want to genuinely mimic a wah pedal.
The Dod FX25 is an excellent pedal, it has one sound and it's a great one. The FX25B isn't as bad as some suggest, quite useable but slightly lacking the throaty growl of the FX25. While it's a good sound I eventually found it a bit restricting, the controls need to set a certain way to get it to operate, it's another one where you have to play the pedal.
After trawling through a ton of YT demos I've realised how much I hate badly played funk (I'm not overly keen on well played funk tbh).
I liked the Subdecay but posssibly a little dark sounding and quite expensive.
The coolest one I've found is the Earthquaker Spatial Delivery but it seems to be more focused on odd noises. Not sure how much use I'd get from it.
I stumbled across the DOD 440 which I think sounded incredible but unfortunately it doesn't seem to do the cocked wah sound from the demos I've seen
I think the winner is between the EMMA DiscumBOBulator V2 and the Boss FT-2.
IIRC most of the autowahs and envelope filters use a state-variable filter, which is essentially three op-amps with caps and resistors to give simultaneous low pass, high pass and bandpass outputs (a fourth op-amp adds notch with some topologies).
On the other hand a "traditional" wah does a weird thing where at heel down it's a low-pass filter, through the sweep it's a variable frequency band-pass and at the top it's a high-pass.
As usual, GeoFex has excellent articles on both:
http://www.geofex.com/article_folders/wahpedl/wahped.htm
http://www.geofex.com/article_folders/ecftech/ecftech.htm
The Emma and the FT-2 are very different pedals, I haven't tried the Emma but listening to videos it sounds a lot more flexible than the FT, which is quite restricted in its abilities. That doesn't mean the FT is no good, it's one of the few pedals that I think of as essential but it's worth bearing its limitations in mind. IMO of course.
And that's when I add the...
Mooer Funky Monkey.
I really hate the way that Joe Punter doesn't notice I'm "cheating".
The Mooer is a good little unit.
Either unit are around £50 used plus you get all the other fx and a tuner to boot.
It's also worth mentioning that the AW-2 is prone to picking up hum, since it does use an inductor.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
The cocked wah sound is important to me, when I actually bring my Crybaby out it's usually what it gets used for but everything else to do with its size, weight, noise and effect on the bypassed signal means it's just too much of a comprimise for what I want from it.