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Comments
I had one in a Hotrod Deluxe III. I started off replacing the stock HRDx speaker (which I didn't like) with a Celestion V30. I preferred that to the stock speaker but it was a bit 'full on rock - in yer face' for the band I was in at the time.
So I decided to try a V-type because I saw that Mike Landau used them in his signature Hot Rod Deville combo. I figured that, as they're good enough for him and it's an amp from broadly the same family as a HRDx, it's worth a try. I think the V type was a good match for the HRDx.
I later replaced the V30s in my 1912 1x12 Marshall cabs with V types in another set up.
The V-type had a nice tone character and was less full on than a V30. Also, it seemed to be less directional than a V30.
For full on rock with lots of cut, I'd probably go for a V30. But, for something a bit more versatile for a range of music styles, the V-type worked for me.
I might stick another two in there as I like them, I've played through Orange cabs that have 4 x V30's and they're great with my 6505+ head.
I had one for a while, and it was a marvellous speaker. In fact, it's my favourite of all the ones Celestion make; it's got all the good bits of the G12T-75 and the V30 with none of the drawbacks in my opinion. The only reason I no longer use them is that I got a Matrix NL212 and the speakers in that are roughly similar but less than half the weight
Bandcamp
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The V-type talk is interesting - seems to get praise, generally - and moreso than its brother, the A-type.
Bandcamp
Spotify, Apple et al
This one is the "Vintage" Black Shadow, which is made by Eminence and is one of the most nasal and honky speakers I can think of, as timmysoft said .
The Mesa/Celestion Black Shadow 90 and the Electro-Voice Black Shadow are totally different.
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