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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I would say it's built pretty well - they very rarely fail, other than for blown power valves because as usual with EL84 amps it's biased a bit too hot, and for broken switches because the physical design makes them a bit vulnerable to being bashed. (I still think a plywood 'sleeve' is the better way to enclose an amp.)
The hard-wired version is surprisingly quite a lot better-sounding - normally I would say that there isn't much difference between PCB and 'hand wiring', but I think the answer is that the HW version uses much high-quality components, rather than just mounting the same ones on tag strips. It's definitely clearer and more dynamic.
I don't like the Dark or the Dual at all, both of them sound even more muddy and congested than the normal one, to me.
And (I know it's a totally different amp really… but some people do confuse them) don't get me started on the Micro Terror . Suffice to say I think it's literally the worst-sounding amp I've ever heard. Absolutely hateful thing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
That's kind of the high gain Orange sound though isn't it? That's the impression I've always had at least - great stoner rock amps due to their built in fuzziness. Could be wrong though, I've not played many that's mostly from watching YT demos.
To be honest I don't like any of Orange's EL84 amps, they all sound congested to some degree or other to me. The EL34 ones are a very different thing - even the Rocker 30, which is cathode-biased and relatively low-powered, still sounds great - far better than the AD30 or even the Thunder 30.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Never tried it in front of a Micro Terror because I think they're beyond help.
i gigged a couple for a few years when I was doing the chillis stuff
Locals will know what I mean when I say they are very 'whistlebinkies' friendly
I had mine set pretty clean though
volume maxed out gain at about 10/11
Good compressor in front and it was fantastic
it was Chaos but pretty tight
I run the master flat out on mine and it's glorious.
(formerly miserneil)
sounded absolutely devastating through the Friedman ported 212 with creambacks.
TBH thats probably one of the big issues I found with the TT, that it just doesn't have enough headroom for for most drives to sound great & so they don't feel as dynamic. Delays sound decent (so the fast slapback trick to fatten things up might work), but to get a bit more kick out of it I always just go for a Fuzz or Distortion - the more aggressive/spiky sounding the better I reckon (especially as rolling back on the guitar's volume will soften the edges on an aggressive fuzz but keep the kick)!
Also one of the lads in my boys band used one at a festival and I said it would.t be very good then had to eat my words 'cos it sounded great in the mix with two Blackstars.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
That said I do see the appeal and had a lot of fun with mine, but I already had several amps and it got sidelined and traded.