NGD: Yamaha SA503TVL

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djspecialistdjspecialist Frets: 902
edited August 2017 in Guitar
A few days ago, this lovely thing came into my possession:

Yamaha SA503TVL body

Yamaha SA503TVL body

Yamaha SA503TVL all access switching system

Yamaha SA503TVL body

Yamaha SA503TVL fretboard

Yamaha SA503TVL body

Yamaha SA503TVL side-on

Yamaha SA503TVL full frontal

Once I've had chance to give it a proper run out, I'll post a full review. But so far, my impression is very positive:
  • Lovely neck and fretwork (*). No buzz or dead spots anywhere on the board. Very inviting to play.
  • Nice weight (4.1kg == 9lbs). Well balanced on the strap.
  • The "all access" switching system is great. It takes a bit of getting used to (at first I was convinced mine was wrongly wired!), but itt turns out to be both flexible and intuitive. For one switch, pretend the middle pickup doesn't exist - so it's the usual bridge / bridge+neck / neck. The second switch controls the middle pickup: off / out-of-phase with the selection from the other switch / middle only.
  • The licensed Bigsby is nice and smooth, and seems to stay in tune well. (But let's see once I've properly wanged it at a rehearsal / gig!) I love the shimmer it lets you add to simple chord fragments
  • Knobs feel slightly cheap, but that's an easy fix.
  • Guitar feels really lively in the hand - overall a guitar that rewards you for playing it.
(*) Once I'd polished them up, that is. Apparently the previous owner had kept this guitar in its case most of the last decade - so the frets were pretty grotty when I bought it. It's wonderful what some steel wool and lemon oil can do though!
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Comments

  • DiscoStuDiscoStu Frets: 5459
    What kept you??
    Welcome to the club dear boy. It's fairly exclusive  :)

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  • SassafrasSassafras Frets: 30289
    Very nice but as soon as the strings wear out you'll have to sell it because I've heard Bigsbys are impossible to restring without a workshop and some expensive industrial machinery.
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  • stonevibestonevibe Frets: 7137
    Nice guitar, I have one myself.

    Win a Cort G250 SE Guitar in our Guitar Bomb Free UK Giveaway 


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  • @Sassafras it's all under control - I recently patented a method of creating my own miniature black holes which I position at strategic points around the bridge, thereby generating a gravitational field which holds the string end in place.  Without such technology, I agree - stringing a Bigsby would be an utterly lost cause.
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  • SimpleSimonSimpleSimon Frets: 1025
    Nice score always wanted one of these for myself, never really had much luck looking!

     

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  • jellybellyjellybelly Frets: 753
    edited August 2017
    Awesome score! Hope you got a good deal, and even if you didn't, it's probably worth it!!
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  • Beautiful. If you decide you don't like it - there'll be some interest on the forum for sure! (Me included)
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  • 57Deluxe57Deluxe Frets: 7332
    edited August 2017
    nicey, nicey, nice nice. But how is it at cutting the grass?
    <Vintage BOSS Upgrades>
    __________________________________
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  • VoxmanVoxman Frets: 4722
    Very very nice!  :)
    I started out with nothing..... but I've still got most of it left (Seasick Steve)
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  • DiscoStuDiscoStu Frets: 5459
    Re: restringing the Bigsby. The way I do it is one string at a time, keeping tension on the ball end as i feed it through the Bigsby and over the bridge, then pull it tight and use a capo to hold it against the fretboard. Once clamped I do the threading through the machine head, tune up and release the capo.
    It's slower than restringing a standard bridge but simple enough when you get the knack.
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  • @57Deluxe you could play bowls on it now.  Little known fact: the SA503TVL is also the best known repellent of Japanese knotweed.

    @DiscoStu comments from myself and @Sassafras ; about restringing were tongue-in-cheek responses to another thread in which the OP (despite never having owned a Bigsby) declared them really difficult to string.  Like many others on here (who actually have owned Bigsbys), I don't find that to be the case.  Go and look up the thread, it's good value :)  The capo tip sounds like a good one though - I'll try that out next time.
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  • xDottorexDottore Frets: 274
    I'm always happy to see Yamahas on here (I have five, inc a 1979ish SA2000, which is for sale but I'm very divided about selling). Is this one in their current lineup? Love Bigsbys too but I only have a pretend one in my cheapo Gretsch. 

    You need an idea of what you are going to do, but it should be a vague idea.

    My feedback page: http://www.thefretboard.co.uk/discussion/91654/
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  • Dottore said:
    I'm always happy to see Yamahas on here (I have five, inc a 1979ish SA2000).
    I like Yamahas too :)  My other one (in my sig) is a 1977 SG2000.
    Dottore said:
    Is this one in their current lineup?
    No, it was a fairly short production run, discontinued some time around 2008 IIRC.
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  • Took this to its first rehearsal last night.  What a great guitar to play. The neck is just lovely - really comfortable - and overall the guitar is a huge amount of fun :)

    At band volume it really hits that sweet spot in terms of resonance: easy to coax into feedback if you want it, but always controllable.

    I'm still getting to grips with how to most effectively use the controls in a live setting, but the switching system certainly offers a huge range of tones.  Anyway I still have a couple of weeks to figure that out before its first gig ...
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  • The nut which came with the guitar (probably the original) was a bit high, and the tuning stability wasn't quite what it could be - so I had a replacement (Graphtec Tusq) fitted.

    What a massive improvement - not only in terms of tuning stability and playing feel low down the neck, but also in tone.  A cheap and simple mod, but well worth it.
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