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Comments
The light weight appeals to me; let me know if you try one out!
I can't say whether it'd satisfy for a whole acoustic set, but for the few songs I needed it sounded fine to me!
My thinking is that for festival gigs it's much easier to have all of my sounds coming out of a single speaker, rather than hassling the sound guy to set up an XLR line for the Variax (which invariably ends up too quiet in the monitor, if they even remember to unmute it)
Trading feedback here
I use an outboard preamp (Radial PZ-PRE) so I was hoping the Boss would do as a preamp as well, so I could have everything (preamp, fx, monitor) in one box. Sounds like I might be better served just getting a 10" monitor.
@Trude if you get chance to try your flats through yours that would be really helpful - I would be running a K&K powered flat, probably through a 100w combo.
I normally use a Red Eye preamp when going direct, but I'd rather leave this at home when using the Katana. My bands are such that I don't use my flat top acoustics on stage in combination with my electrics. Maybe I should find a reason to do this just for the sake of testing it out...
Trading feedback here
I play mandolin live, I'd love to hear how that sounds through the Katana (with ridiculous amounts of gain obviously).
Mind you, at least that's possible with the Katana, and it's something worth considering. If you go into the Tone Studio software, there are some pretty powerful EQ options available, more so than in something like my AER where I'm limited to just turning down the treble control. I would reserve judgement until you've tried tweaking it to match your specific pickup. With the 100w you have the four preset slots, so it's feasible to reserve one for the mando and one for acoustic guitar.
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The preset thing is the thing that's attracting me though. That's why I use the PZ-PRE, only the shared EQ is a massive setback. The Boss potentially eliminates that.
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Be aware there's a whole effects block - which you can add with the Boss Tone Studio - specifically designed for tinkering with the acoustic sound.