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You can then adjust the tone controls even the gain level of the profile, but it might not then react as your original amp would?
So you would need to profile your amp on several different settings depending on what you wanted to do with the profile?
although in reality how many times do you massively adjust your amp during a song?
usually about 3-5 profiles per amp will cover t
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It is a very very powerful tool, but it is a bit of a search if you don't have the amps yourself. But if you do, sure it still sounds better micing a cab for real, but it is absolutely much more usable to just load the profile of the amp you miced yesterday and make music at every time of day!
I've been comparing profiling my amp vs load box with ir's, but I haven't quite really been satisfied with ir's. Just been struggling to get the true sound of my amp. But with the kemper, it's just the sound of MY amp with MY speaker. It's MY Ir with MY mic positioning!
I am however not fond of the profiles of amps+pedals as I find it sounds way better to stick gain pedals in front of a clean profile.
if you then adjust any setting, e.g. Eq, does the kemper make an assumption of how the 'image' might react or do you make several images with adjusted sounds so the kemper 'knows' how it changes?
so presumably any profiles you purchase are reliant on several other factors not just the amp?
This is why I went with the Axe FX 2.
I've tried a few different IR companies and have come to the conclusion Ownhammer does the best for my tastes. I usually find an amp model I'm familiar with into an Ownhammer IR of a cab I'm familiar with sounds about right pretty quickly. I've been really impressed with a lot of Kemper clips and it's clearly capable of sounding as good if not better as far as the amps go, but I was selling my amps and going digital and didn't fancy trawling through a load of other people's profiles to get sounds, if I roughly knew how I'd want to get them anyway.
There both great but they suit different approaches.
The keeper is "this sounds great, I'll profile it to keep it"
The Afx is more 'i have this sound in my head, I'll build it wirh the Afx tools".
M Britt (one of the profile makers) has some profiles with his Klon active in front
Personally I tend to set up the amp as I like it, put a couple of mics on it, profile each mic separately, then profile my preferred blend via a mixer. The EQ is good enough to maker minor adjustments (think of it like an EQ on your mixing desk)
I'll do the recording with the actual amp, but keep the profiles as a back up in case I need to go back to it later
Its really inefficient and no way to make music but it supports my "never commit to anything" philosophy that means I never actually finish anything