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A number of people who I'd trust the opinion of have been praising them. A lot of EMG artists have switched, though it's hard to know to what extent that's a business decision alongside the artistic choice.
Everyone in the Devin Townsend band seemed to be using them this year and I felt like all the tones were great - tight and clear.
Which ones in particular are you looking at? I know there have been multiple revisions of the modern, I think they've arrived at a final spec now but some of the older used sets might be the earlier spec which if I remember right was brighter. Not sure on the history of the classics. I'd like to try both at some point.
The only downside (besides higher price) is that battery life is quite a lot lower than EMG. You can get a rechargeable pack, or Pre loaded plates to fit Strat or Les Paul's with the battery packs fitted.
I like EMGs but only really the 81 in the tuning I use, everything else is hotter and clips a bit soon in drop B (they're all fine tuned higher). I'm not a fan of the 18v mod as the voicing changes a lot, otherwise I'd probably use the 57/66 set more.
I get the impression the Fishmans have been designed with enough headroom to begin with. The clips I've heard have sounded more dynamic than the EMGs
The Fluences should get closer, I've only ever seen a demo with Greg Koch playing them and he's like PGS Andy in that I want to buy everything he demos.
Most of the active EMG guitar pickups that I have are the -X versions with improved dynamics and headroom. I also like the Seymour Duncan active pickups. The Live Wire Classic II neck position humbucker is a favourite. Their Blackouts models are a bit too genre specific for my requirements.
Fishman Fluence humbuckers seem to strike a nice balance between the control of active pickups and everything that we love about passive pickups. I cannot comment on FF "single width" pickups as I have yet to try them. Neither have I had an opportunity to try any of the recent EMG Retro-Active series.
This might explain it better - blue is an EMG 81 in a CU22 and purple is an EMG 57 in a Singlecut. Same part double tracked, same strings and playing dynamics. Going between palm muted and open powerchords
You can see how there's dynamic range in the 81, and not much in the 57 - it's almost permanently clipping. FWIW the 81 was set a closer than the 57, which was set as low as it could go before it started to sound weaker. I play in drop B with thick strings - basically my findings are the newer 57/66 and Het Set are way hotter than the 81 and as such clip really soon for me. So my feeling is that anyone that claims there's more headroom in those sets than the 81 probably were never clipping an 81 to begin with as there is demonstrably a lot less headroom. In terms of tone though I really like both the 57/66 and Het sets, I just think they're better in higher tunings or for people with softer picking dynamics. There are more passive like crunchy highs in those sets than the standard EMGs, the tone is great but they're unnecessarily hot IMO - but only if you drop tune with bigger strings, in more standard tuning they're great.
I've never tried the X-Series, but I have tried the 18 and 24v mods, and my feeling is I don't like what it does to the tone. The lows seem to extend deeper and highs extend higher, but not in a way I like.
I have a set of Blackouts and they're ok, but not really tight enough for my liking. They're also a lot less aggressive than the EMGs. Plenty of dynamic range though, they feel nice to play.
With regards to EMG single coils I don't think I've managed to clip any of them at 9v. Even the J set for bass, it wouldn't even clip when playing with a .130 low B and me smacking it as hard as I could. So the clipping thing is definitely more for the humbuckers. EMG recommend using 18v for bass humbuckers as standard FWIW.
In standard tuning I actually prefer to use PAFs and lower output singles, I just prefer the tone - but they're rarely tight enough on guitar for me in the tunings I do write in. The Fluences look like they could bridge the gap, but they're not cheap and I'm pretty happy using 81s and SAs etc at the moment.
For what it's worth, I went for the plain ol' Red/Blue Lace Sensors, and they're absolutely stunning. The Red twangs like a single coil but has the beef of a humbucker without losing the tight low-end, and the Blue is like a really hot bluesy single coil in the neck.
The Alumitones sound great but not like EMG's really. They have deeper lows and higher highs, not as tight as EMG's but thicker sounding. I use the regular one in the neck and the Deathbucker in the bridge, balance just fine.
EMG's are great but despite the marketing they're more of a hotter 81/60, certainly not really vintage. Great if that's what you're after though.
Think I'll stick with the Sensors, then
That being said I think the gold sensor is still one of the most popular pickups they sell!
I'll second this! I have an old Tele Plus and the pickups are incredible. Still very much single coil sounding. Awesome pickups.