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Exactly, though the sprung design is even more of a failsafe in the live situation - check this out for example - we did Teenage Kicks the other night and during the solo at 1:56 I just gave it a couple of taps with the foot because in the spur of the moment it suddenly occurred to me to do so, and it bounces straight back to normal. You couldn't do that with a crybaby - it'd have to be a much more planned thing.
Also you can really hear the sweep of the bad horsie in the next line and there's definitely no drop in volume. Its design lets you use it to create punch and percussion, almost as an alternative to playing a note or bouncing the whammy bar.
The ONLY thing is that you'd have to keep your foot on it if you wanted to play long passages in the half-cocked position.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Thanks.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
ah but mk1 or mk2 ?
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I wasn’t really aware of Morley until starting this thread. Online reviews seem to show that Morley wahs are probably more durable and reliable than just about anyone else’s. Unfortunately, the Morley Bad Horsie didn’t do it for me soundwise, but it did impress with the build quality.
In the end I still went with Morley but went for the M2 Wah which has a more vintage tone than the Bad Horsie. Great reviews, LED status indicator, and a level control. Looking forward to it arriving sometime on Tuesday.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
https://www.youtube.com/watch?v=tbk5t4D1LQI&feature=share