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I'll need to have another look at something other than a G7th, it seems a touch hard, so when it clamps down it doesn't indent enough to fret the higher strings on the low E, A, D and G.
My favourite songs to play are "More Than A Feeling" and "I Believe In Father Christmas". I'm learning "For Emily, Wherever I May Find Her" and bought a Shubb 12-string capo for it, which works fine. I would play some Byrds too but that obviously requires changing the octave pairs round.
I love having it here for a quick strum, because it's such a lovely sound, so I probably play it at least once a week, sometime more. I've also used it on a couple of recordings and it adds a lovely flavour that you just can't achieve any other way.
I have only had to restring it once, but it wasn't particularly difficult.
Adam
My only issue is the size of the things. I own a Dreadnought - but would prefer a smaller body on a 12 string. If they ever do a 12 string GS Mini, I’d definitely buy one.
tunings is endless. I have 1 acoustic and 2 electric 12s, all stay in tune as much as a six string,
Open chords just sound stunning on a twelve string.
I WILL get one again sometime. I quite like the smaller / higher tuned twelve strings like Veillette Merlin or Gryphon, and the Emerald Articus - very flexible for 12 string and mandolin type sounds (without having to learn a new fingering).
Feedback
I played a Guild 512 which I think is considered to be the 12-string of 12-strings. It was fantastic - even made me sound good. I think they are going back into production early next year so it will be interesting to see their price-point. The Chinese built versions are very good by all accounts but I've not tried one.
Can't believe Bon Jovi's 'Wanted: Dead or Alive' hasn't been mentioned. Nor John Butler - although technically an 11-string:
I thought I'd post that as I'm sure you've all seen Ocean.
Makes a mediocre player sound a bit special.
I tune down to D and don't find it harder to play than any other acoustic, in fact, it's easier on the fingertips than a 6 stringer.
Slide 12 string blues, in particular, does it for me.
Neil Young - Thrasher, on Rust Never Sleeps.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Older 12-strings were intended to be tuned at least down to D, since light gauge strings didn't exist back then and the guitars wouldn't take the tension of medium-gauge strings tuned to E, if if you could play them. I always keep my Martin tuned to D with slightly heavier strings (11s), it just sounds better like that.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
if it meant tuning up all the time and dreading restringing one.
Mine is a plywood b/s cedar topped Alvarez-Yairi DY-72 12 string '87 - octaves reverse strung - very complex voice.Cost me £400 in he late '90's and it just sits there till a piece of music demands THAT sound.
It's absolutely no different to having two six-string guitars which need to be restrung and kept in tune. If you have more than one six-string guitar - which I'd guess most people here do - why the fuss?
Particularly as generally, if you have both then the 12-string probably gets less than half the playing time of the sixes, so it's actually *less* hassle...
And I say that even given that my 12-string is a slot-head.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein