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Switched the Nova out for the Flight Time which I think could be replaced by the new Free The Tone delay next year. The Mooer little ones have been replaced by the CE-2 and Phase 95 and the Mojo has been replaced by the Vibe Machine.
Think the best upgrades I've done are going all Buffalo for my main sounds. The M-1 is great and the Power Booster is a beauty too. The Infinity doesn't need to be at my feet as I'm hoping to control it via MIDI (we shall see how that goes shall we!).
Special mention for the DIG, I should probably sell it as I have too many delays, but it stays because it sounds lovely and I like it. Each one offers something different that I really like, so I'm happy and it's a fun, fun *board*!
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
I know what you mean about the DIG, I sold mine but may revisit in the future ! Unique delay...
You just need a board the size of a barn door now...
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
http://i.imgur.com/V7DPyJu.jpg
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
Yep, it's totally rough round the edges and I haven't even bothered painting it...because it's never leaving the house. This is my studio/recording board; the idea is that if I ever play live again, I'll just take the stuff off it that I need.
It's designed specifically to fit in that gap under the desk (it sits to my right). There's a lot going on, but it breaks down pretty easily:
- MIDI: the ART X-11 controls presets on the Eventide Time Factor and a NUX relay unit under the board, which switches channels on both Jet City amps (JCA22H and JCA50H).
- There's only one signal up to the TC Mimiq. That splits the signal off to the two amps, which then go through a reactive load each and back into the inputs of the Eventide. This gets around any issues involving uneven effects loop levels (or badly-designed loops, in the case of the JCA50H) and generally levels the playing field.
- The outputs from the Eventide then feed directly into my audio interface, where they'll be fed into Wall of Sound III for some realistic cab emulation.
- The signal chain for the right-hand channel is totally isolated using Orchid Electronics isolating transformers. No ground loops here.
- Oh, and I'm running it all from two Warwick Rockboard LT rechargeable battery power supplies. Awesome things, they are, and zero-noise.
Of course I haven't tried it yet, so it's all theory at this point. I'm one cable short.
JCA22H and JCA50H
Eventide Time Factor
TC Mimiq
Mooer Juicer
TC Shaker
AMT Powereater
...so I really should get on it.
Can't decide whether to go through the faff of putting the pedals I have left back on it with all the usual cabling hassle, or just bolt the Boss GT-5 in and be done with it.
The GT-5 actually sounds better...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
There's a bit of a whine coming from somewhere that I haven't been able to nail down yet, but it's pretty low-level. I reckon it's probably the best recorded sound I've had (demos to follow over the weekend, hopefully).
@professorben can attest to the astonishment we both felt on hearing the Mimiq for the first time. It really is one of those "WOW!" pedals that work far better than you'd think they possibly could. I've since tried it in mono, and it's a bit pants...if you want to get one, then you definitely need a stereo rig.