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Earlier 70s ones have pancake bodies and sometime bent tops, so if I where you I would go for 1980 to 90, if a Greco doesn't have a serial it usually means it's one of two things, it was made by Tokai (Japan) or Cort (Korea) the tokai ones are high end, and Cort lower end, you can tell by the following:
Korean :
5 piece neck including headstock scarf joint and seperate heel.
Black shielding paint,
Cor tek pots,
Long tennon
Lower quality mahogany /maple,
Cheaper Korean pickups with thin plastic wiring
Japan:
No scarf joint just headstock wings,
Square router holes in the pickup cavity
Japanese pots
Stamped model number in neck pickup cavity
Short square tennon
Dry z /double trick etc pickups
With metal braided wires
Nothing s ever rock solid tho!
(I don't think Gibson ever actually confirmed it but I am pretty sure the USA made pickups are 57 Classics).
If you can find one....
Does anyone remember the first run of the Elite range being suddenly "remaindered" for no particular reason?
Maybe it was the problem with the name (another company was using "Elite").
Anyway - the 335 got a great review in Guitarist even though the price (£1500) was only perhaps 300 or 400 less than a Gibson 335. And then a few months later dealers had them for £795.
(Coda got lots of stock and some of the Les Pauls were £500 including a very posh case).
Crazy prices for a very nice MIJ guitar.
In my experience, and my preference, high-end Tokai and Greco are the sweet spot. I have heard great things about Momose, and Navigator and Edwards- but I've never played one.
As mentioned above - the numbers in some way relate to a value (differs in the execution by manufacturer but is broadly speaking a good starting point. eg an LS80 is a higher value guitar than an LS50. But this doesn't mean the 50 is a bad choice at all!)
I also have a 2015 Tokai LS128 MIJ Burst that is fabulous - a real R9 look and feel. Fitted out with Mojo PAFs it's a real contender.
Do be aware that a good MIJ Les Paul isn't necessarily going to be a cheap Les Paul. I'm awaiting possession of a 1981 Greco EGF1200 that is the third most expensive Les Paul I've ever bought. But you should be able to get a fantastic, aged, authentic feeling Les Paul for less than a good Second hand Gibson Standard.
It really comes down to what you are looking for. But a good, high-end Tokai or Greco is going to be tough to beat. Burny's with original VH1 pickups are highly prized, as are the original Tokai's with Les Paul on the headstock.
If you want the simplest route - Greco EGF1000 or EGF1200, or Tokai LS320 (certainly 150 or above).
Good luck with your hunting. If you ever want to come and play some MIJ back to back against Gibson let me know and you are welcome to visit the man cave and try a few.
Look forwarding to your NGD post!
I currently have a new LS1 R4 and a 1980 LS80.
If you want a new guitar speak to the guy at Tokai Germany. That’s where I got my R4. The LS1 series is a special run for Tokai Germany and you can find equivalents of R4s, R6s, R8s and R9s. They are exceptional guitars and a bit less of a crapshoot weight wise than old ones (some early 80s Tokais can be quite heavy). I paid 1800 euro for my LS1 R4 and it’s worth every penny. In my opinion as a guitar to play it eclipses anything from Gibson CS. Stunning fret work.
getting hold of old ones is trickier now than before the CITES rules changed but they do come up for sale in the U.K. and across Europe. There’s a dealer in France (japanguitars) who has a good selection. Not the cheapest but quality stuff.
among the old Tokais LS80 and up commands a premium but I owned a 50 (now with ellwood) that was a super axe
Or preferably Orville by Gibson reissues - that gets you an LP with a long neck tenon, fret nibs USA pickups and Nitro.
^Pretty much what's been said already.
If you want what is effectively a high-quality MIJ Gibson-spec Les Paul clone, then the intel is as above.
All I would add is (depending on your price-point), don't automatically discount off-brand/lesser-known Matsumoku, etc stuff...
I either own (or have owned) many, many set-neck (and bolt-on) '70's/'80's MIJ Les Paul copies. Avoiding the obvious low-end plywood horrors (although even there, I've had guitars which have played stunningly well), there are some cracking mid-range instruments (Burny and Greco, blahblahblah amongst them) which sound and play fantastic - you might not get 100% vintage Gibson-accurate construction, but you'll still have a damn fine set-neck, solid wood guitar (albeit maybe with a laminate top).
It *is* a minefield and there is no end to the confusion, but the best thing to do is online research and getting out and playing a few.
Good luck!
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
I've had Tokais and Edwardses - loads of SGs, Juniors and a 335. They've all been brilliant.
Well, you know I've got a dog's home...
HarrySeven - Intangible Asset Appraiser & Wrecker of Civilisation. Searching for weird guitars - so you don't have to.
Forum feedback thread. | G&B interview #1 & #2 | https://www.instagram.com/_harry_seven_/
Tokai (avoid Chinese ones)
Edwards
Bacchus
Momose
Burny (Chinese ones are pretty good too)
And lots of other less known brands too
Old (go for post 1980 as earlier ones are very variable, and the top end models are $$$ specs vary depending on models)
Burny ( vast range go from pretty good to amazing)
Tokai ( vast range go from pretty good to amazing)
Greco ( vast range go from pretty good to amazing)
Orville
Orville by Gibson
Navigator