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Comments
Sounds fantastic in the demos I've heard, quite tempting....
As well as shimmery tape sounds it can do a creditable analog delay impression with the ‘tape age’ and modulation controls turned up. (I own a big box DMM and spent some time seeing how close I could get the Capistan - I won’t pretend it’s dead-on but I certainly got it closer than the TC Toneprints I’ve heard - I also own a v1 Flashback)
The only other factor with the El Capistan is you either need an isolated power supply or use the one which comes with it.
Why is the DD-7 too much? It's an excellent pedal. I've had one before and I probably will again.
Why does the DL-4 have a 'yuck' bypass tone? It's either true bypass (as standard) or can be set to buffered.
[waffle alert]
I've just done some delay testing along with a couple of friends who each have very specific 'wants', and we had four delay pedals between us.
Boss DD-2 - same as an early DD-3. Best feature: clarity and long delay times. That's it really. Worst feature: very clean but possibly a little 'cold' sounding.
Boss DM-2 - original not W. Best feature: sounds great and self-oscillates the best, very smooth and 'musical'. Worst feature: audible clock noise at longer settings.
Maxon AD-9 Pro - longer delay time than the Boss with no clock noise but a little duller sounding, and doesn't self-oscillate as well. Best feature: dotted-eighth mode. Worst feature: crap switch - awkward to press due to the angle it sits at and can fail to latch.
Catalinbread Belle Epoch - grainy and the repeats degrade very quickly, getting thin rather than dull. It does self-oscillate easily but in a less controllable way than the DM-2. Best feature: into an overdriven amp, it's the best. The thinning out of the repeats becomes an advantage since it prevents 'mud build up' and it does push the amp slightly harder as well (even with the internal gain boost trimmer set to minimum). Worst feature: doesn't really sound very good into a clean amp. Definitely not the right choice if you want a conventional delay.
The DD-2 and DM-2 were mine, and I thought I would keep them since I've used them for years, but having tested them all thoroughly I've taken the Maxon because it does U2/Pink Floyd sounds the best, the friend who wanted just the best-sounding very simple analogue delay (who had the Belle Epoch) now has the DM-2, and the one who uses delay in front of a dirty amp (who had the Maxon) now has the Belle Epoch, and everyone is happy!
Does any of that help?
If you want analogue and dotted-eighths and can live without tap tempo, you should probably add the AD-9 Pro to your list.
In the past I've also had the DD-5 (didn't think it was anything special to be honest!), DL-4 (stopped using it after a software glitch, and it didn't like parallel FX loops), and the Akai Headrush E2 which does a great tape-echo simulation as well as being a very good looper.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
http://www.thefretboard.co.uk/discussion/123541/fs-maxon-ad-9pro-analog-delay
I was going to go with the dm-2w or similar (belle) after listening to tons of videos but the tap tempo function was a big consideration. The tech 21 DLA looks like it ticks all the boxes and was available. Time will tell if I pulled the trigger too soon I guess.