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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
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View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
The way I'm running it (after an entire day and evening of experiments) is with 5 scenes assigned to buttons 1-5 on the MFC101, and the other 10 buttons are for the individual pedals in the chain, should I want to manually switch something on or off in that scene.
I also have button 16 as a tap tempo, and 17 is my tuner.
Expression pedal 1 is master volume and I'm yet to find a use for exp 2, probably will be wah or possibly gain assigned to the drive block.
So what I've essentially got is a pedal board with 10 decent 'pedals' on it, all connected up to a looping system for easy switching. All of which can be chopped and changed as and when I see fit.
The reason I'm doing it is I've realised I'm not an amp modelling person. I find it can sound great in isolation, but whenever I play live it lacks the feel of a real amp.
I liked the idea of going back to a valve amp so I bought the HRD. Then I thought rather than buying a bunch of new pedals - and all of the other stuff like power supply, board etc (all of which I can't afford) - why not try the Axe FX into the amp.
I've tried to get the whole FRFR thing to work for me and it simply doesn't. I've had the Matrix 2x12 FRFR cab, plus I've had QSCK 12's and Yamaha DXR 10's and nothing seems to make me happy like a valve amp and some pedals!
Tips: As a starting point I broke out a TS-9 and Cry Baby, which I used before the GT-8, and replicated them in the AxeFX. Not only do you have to get Drive and Tone settings right, but you’ve also got to match Send and Receive Levels. You can use the AxeFX’s built in meters to help do this.
This was before Scenes were invented. If I were doing it again I still wouldn’t start with Scenes. If you get your building blocks right before you start assembling them into Patches. Scenes are then a further level of sophistication.
I've been down the rabbit hole of trying to make a perfect patch for every song in a set. It's too much of a faff in my experience. I like to get a few core sounds that get me into the ball park of most of the stuff I cover in my band.
All in all not not a bad first attempt