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The Colin Richardson pack - Made of Metal has a really nice sounding room, but the snares might be tuned a bit high for your tastes if you like a fatter snare. It's a good all round metal pack though, better at the heavier stuff than the slower mid tempo 80s rock tracks https://www.toontrack.com/product/made-of-metal-ezx/
The Andy Sneap pack probably has the snares tuned too high for you and the kicks are all fairly aggressively processed. It sounds good but is better suited to more modern faster heavy music than classic.
DFH again, not tuned or EQ'd anywhere near what you'd like based on those clips, ditto the Metalheads EZX. I'd probably skip both of those these days regardless as the Richardson and Sneap packs cover the metal drum sounds better than those.
If you're willing to do some post processing to get the kind of reverb-y sound you like then the best sample packs I've heard are the ones done by Forrester Savell - Progressive EZX and Progressive Foundry. I bought the EZX thinking I might just use a couple of sounds from it and then liked it so much I bought the SDX as well. From memory there's a bunch of stuff that'll work for the kind of sounds you need but the rooms themselves aren't as big as some of the other packs so you'll need to add some reverb in of your own. They're excellently recorded drums though IMO, my favourite out of any company I've onwed (I've got a bunch of BFD and Slate drums too) https://www.toontrack.com/product/progressive-ezx/
Heart of A Lion is one of my favourite rock songs btw, such a massive riff. It was a Judas Priest song originally IIRC.
Which one would you recommend out of your suggestions? I don't know anything about EQing drums or tuning them. Like you say, I want to do as little post-processing as possible. Adding reverb is fine with me, but I'm just doing this for my own fun so the quality of the overall mix isn't that important.
I love Heart of a Lion too, especially the Racer X version, which has loads of reverb on it. I first heard the Racer X version then the Halford version. It was written by Rob Halford when he was with Judas Priest but wasn't recorded by Rob until one of Rob's solo albums. It's a great tune.
You can't really tune a drum after it's been recorded. Well, you sort of can, but it's nowhere near as effective as tuning it the right way for the style to begin with. It's a really deep topic and one I'm only a beginner at myself, not being a drummer. But as a general rule if you hear a snare drum sample and it sounds really high and pingy you're not going to be able to get it to sound deeper and fatter by mixing it.
You can tune the built in Logic Pro X drums, but I never bother with that. I just tend to leave everything as is! Some of them sound pretty good.
Thanks again.
Yes you can tune drums in Superior Drummer too (I don't own EZ Drummer). However that's tuning the whole drum together via a pitch shifting algorithm.
In reality the drums almost always have two heads, and the relationship of those heads - both the type and the tuning interval, and how they work on that particular drum are arguably the biggest determining factors to the sound. Not just the pitch, but also the kind of character it has, be that tight and pingy or loose and fat, or somewhere in between. And that relationship and core characteristic is baked in to the sound when the drums are sampled, you can only then affect the total pitch of that sound, not make it sound like it was tuned differently to begin with, if that makes sense.
What's the deal with tuning drums? I don't touch the tuning ever, is there a rule to follow?
There are a lot of things you can do with getting the top and bottom heads tuned differently for different sounds.
in a plugin, you can’t do this, it is a simple pitch shift, just tune until you like the sound.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
With tuning via plugin - If you were mixing something and found the fundamental of your drum sample was in the way of the fundamental power of another pitched instrument (eg guitar) you could tune your sample up a little as one option of how to deal with it.
Likewise if the bass guitar is fighting a lot with the kick you could try pitching it a little to help define where they each have power.
But to be honest if you have enough samples to choose from it’s often easier just picking a sample that sounds good to you from the start and not worrying about tuning it further.
Sounds Quite deep! As you say, it’s unlikely I would mess with the tuning any further once the sample is loaded.
I really want to get my own kit to practice tuning on, but in terms of samples all the hard work of tuning them right for the sound has already been done.
Have you had a go on the pack yet?
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com