It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
If we're going to equate burgers to pedals, then I dare say quite a number of boutique brands could be compared to Byron: too much expansion, shoot yourself in the arse.
There is also the GT-1000 which should be arriving very very soon which is a multi-FX in the format of the Helix/Headrush and would love to see what they've done with it.
They don't just do stompboxes.
Looking at something that is "old hat" is silly. Valve heads and combos went through that during the 90's and early 2000's, It didn't work out so well for rackmount did it?! Nah, I don't get that ideology.
Everything else has a better sounding or more feature laden (and more expensive) competitor.
I still use a CS-2 & DD5 but I'd replace them fairly quickly if I had spare cash not already being used for things higher on the gas list.
I agree that the drives aren’t to everyone’s taste, but they tend to sound best in a band mix which is probably why they’re less popular with bedroom players. I really like the JHS Angry Charlie for Marshall style leads, but it struggles to cut through in a band mix sometimes. The Boss Blues Driver etc are the opposite of that for me.
I do feel like BOSS are really starting to nail the more complex digital reverbs and delays. They’ve always been an innovative company, but other brands like Strymon Behind for a while with heavily modulated delays/reverbs and analog dry through etc.
The Waza Craft pedals are great too, am enjoying the Waza DM-2; one of the best analog delays around. Am also very tempted by the Waza chorus.
BUT, some aren't very good IMHO compared to other options now available (and their Flanger has always sounded awful) - and the bypass isn't as transparent as it should be. There are worse bypasses (Ibanez I'm looking at you) but, its noticeable.
I'm sure some get great sounds from those I don't like. Then again, Hound Dog Taylor got great sounds out of a crap guitar, it doesn't make it sound any better when I play one...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I believe its how you use Boss pedals that can make or break a reputation of a Boss pedal on T'internet because forums love to diss them.
Take the DS1, much maligned and rightly so if you over do the Level and Distortion. You end up with a big angry hornet thats stung itself in the arse.
Keep both between 9 and 12 O'clock and its great.
I use the SD1 with the level maxed and the Drive on min in front of a Jetcity JCA22H and it sounds big, fat and with the crunch channel preamp gain on 2 to give a nice clean, hitting the SD1 gives a fab crunch for rhythm work. (I have currently lost this setup to my Son )
I use the DS1 for more bass in the sound for a lead solo if required.
I have no words for how musical the DM2W is, the DD7 is my Swiss army knife delay and the CH1 is the right subtle chorus for my needs.
Finally, lest not forget where the Tube Screamer was derived from. Boss OD by chance?