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The editing parameters of the GT-8 should be adaptable to bass guitar. Shift the EQ band centre frequencies down a bit. Compress or limit to taste. Auto-filter when you want some fun (and to annoy Bridgehouse!).
I bought the very closely speced fretless version a while back. I’ve not been a bass player for decades but I do still love a little noodle here and there. ‘Accidentally’ picked one up in PMT and that was it, smitten.
I think the lovely feel of it and the joy of having it around totally negate it’s built to cost nature.
Of course if I started to play more seriously, while it could get the job done perfectly well, it would also be the perfect gateway drug.
Careful Ed - you’ll be hankering for a jazz or a Precision next, then a Warwick or a Ric and then it’s game over
Index and middle finger and rest thumb on the string below - if it’s the E string then it’s thumb rest on pickup/body.
Bass is a lot about muting the other strings using left and right hands so they don’t sound. I use my RH thumb for that as well as LH fingers
This should build finger strength or, more likely, create bigger/better calluses.
The word thumb is often used as shorthand for slap but it can also be used à la Chet Atkins to get two "parts" going at the same time. If the nail is long enough, it is possible to play the strings with a combination of skin and nail. This provides some of the attack transient noise of a plectrum without having to hold one.
Talking of two parts at once, try dropping the low string to D. Suddenly, your bottom three strings offer a one-finger power chord. This leaves your other digits free to do tapping guitar stunts. While this might not be the most musical thing that can be achieved on bass guitar, it should help with pull and hammer strength. For this exercise, distortion helps.
Whichever git said “Try bass - you only need one bass!” can go do one!
Now you just need to practice that mean, moody, pissed-off look and you too can be a bassist!!