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I rang Jon and he talked me through the bass and I thought.. “ah fuck it, it’s only money. Bread and cheese for the rest of the month” etc
I don’t remember what brand of soapbar P it is under the board but I think he said it was a Bartolini. Dunno. Either way it’s in the P sweet spot and a big split coil..
The guy advertising it on Basschat said it was a grand off new price, but when I rang Jon he said that to do one the same now would be a lot more so about half price or thereabouts. It’s mint and I just thought I’d kick myself hard if I didn’t.
It’ll be a play at home queen until know what I’m doing - but I can see it getting recorded.
My right hand, rhythm, phrasing and so forth is okay - dare I say it, pretty good - I use a well practiced floating thumb and fingers technique so my muting is pretty good too.. but my left hand technique is not so good - it’s not accurate enough. I notice it more playing on dark stages where I’m really having to strain and concentrate.
The fretless is all about nailing that and getting that bit right. Kill or cure I suppose. I can only think it will improve my left hand technique on fretted regardless of how competent I am on fretless. Plus, it’s a musical adventure and a challenge. Last time I did something like this I bought a traditional system wooden flute. I learned embrochure, flat fingering, the lot from scratch and then gigged with it. It was bloody hard but my musical ability increased massively for doing it
They all sounded bloody awful with the pick on the first round, I think the Rick sounded the worst out of the lot, it was like a hearing a bass but covering your ears with a pillow. The Warwick to agree with a comment above was very HiFi, not really my thing and the Thunderbird was pretty lack lustre too. P sounded like a great all rounder, surprised how bright the Jazz bass was.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The Warwick is capable of low end but I feel like they had the treble too high on this video.
In the official demo at 1:06 he dimes the bass on the preamp, on the neck pickup. Plenty of low end. But you can hear that characteristic high end in a lot of places.
Also the 5 string has the neck pickup even closer to the bridge than the 4, and Ryan Martine manages to get a nice low end out of his Thumb.
The other reason is the articulation, you can hear every nuance of what was played in all playing styles (the fenders I think had the same articulation but in only one style each).
By contrast the rick would need severe carving to fit in a mix and I could barely tell whether he was slapping or using fingers from the sound.
One of the problems of the instrument comparison including a visual element is that it is all too easy for a listener's judgement to be swayed by his or her pre-existing opinion of the specific make or model that can be seen on screen. For some viewers, even the finish colour scheme could alter the attitude.
The video instrument comparison is flawed in both concept and execution. The reactions posted in this thread should come as little surprise. Few minds will have been changed.
This guy does a better job, he doesn't own as many basses though.
I am disappointed that there was no attempt made to slap the fretless. My Name Is Mudd!