It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Two channels, EL34 and 3x ECC83, reverb and 12” Celestion Vintage 30
It covers a lot of ground from glassy cleans to very gained up. It goes from 18W down to 1W and then down to silent, with a recording output that uses H&K's Redbox technology. I like it a lot.
Worth a try I'd say - you might not like the way it sounds of course (I know some people don't).
It appeared on GuitarGuitar’s site for £349 and thought bugger it, especially as I could return if I didn’t like as well as having a bit of a warranty.
I’m finding with my R8 and plugged in to input 1 (+6db I think?) it gets heavy enough for my liking.
Just turn a dial to select one of 16 amp models, press a button to select one of 3 reverbs, 3 delays, or 5 modulations, set the EQ dials like a regular amp (gain, treble, mids, bass, presence, volume, master volume) and turn a dial if you want one of 10 pedals and set the pedal drive & level knobs to taste, press a button and turn a knob if you want a noisegate, and set the power attenuation at the rear of the amp for 1, 15, 30 or 60w output. To save a patch, press write twice, and to access tuner in any mode ...well - you just press the tuner button!
And re Pathfinder format, they kind of did - the older first generation Chrome Valvetronix aren't as full featured as the original 'Blue' Valvetronix, but they sound great and are dead simple to use - like the AD15VT @ICBM has. Available as 15w,30w, 50w, 100w combos or 100w head you can pick these 'old technology' amps up for peanuts! The best was the AD50VT which came with a proper 12" Celestion seventy eighty speaker, and you can pick one up for circa £75!!
In fact, I've not heard a bad sound out of it yet.
Subjection is a cruel mistress!
Ta
Every demo of the Katana I’ve heard makes it sound middy and overly compressed - but I think that about a lot of valve amps that seem popular too.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I am also lucky enough to have a Broadway catalogue amp from 1955 (old school point to point wiring etc) which I rebuilt a couple of years ago.
I love the sound of all three in different ways but the Katana that's been in my house and used live extensively has a great sound. I will admit he uses SD1, DS1 and BD2 into the front end, along with a clean boost which also sounds really good. I did not expect the Katana to react so well to pedals being digital, but it just does.
Maybe I like the middy compressed sort of sound
I wouldn't swap any of my amps for one but I would like one to compliment them and I have seriously considered the Katana Head version.
Other amps I like are VOX AC's (15 & 30). Never been a big Marshall sound fan but also never owned one to be fair (played a few a long time ago if that counts).
Ta
You can dial out the middiness using the Global EQ in the software, it makes it seem less compressed as well.
Out of the box it doesn't sound great, but it is so configurable you can get a lot of sounds out of it.