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I have my eye on some awesome transistor amps, they’ll do the trick
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
I tried to do what you are trying to do, my old amp sounded light which is why I tried the sub (Velodyne) which I have for AV. Although it seems to work, immediately sounded fuller, had depth etc, the more I listened the more obvious it was that the sub was not quite in phase with the speakers. Ended up buying a better Amp (Arcam) and the issue disappeared - the speakers that previously seemed to lack bass came to life!
BTW - you may find the issue is your room. When my ex insisted we get rid of carpets it fucked with the acoustics of my living room. :-(
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Wth a good set of floor standers a sub is probably not needed.
Setup can be trick in reflective, boxy rooms.
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
Seriously: If you value it, take/fetch it yourself
1. going active (i.e. speakers with active crossovers)
2. room correction software/hardware
I went the latter route. I have a biggish set of floorstanders (8" drivers), driven by a good quality Quad solid state amp.* On paper, that setup is only flat down to about 40Hz.** The speakers in question use downward firing ports to produce the impression of more bass/weight. When I measured them, with a proper microphone and software, I found that they actually go quite a bit lower than 40Hz without much drop-off, but there were a fair number of odd peaks and reflections in my room. A couple of peaks around 40 and 60hz, and a whacking great hole around 150-175Hz.
I use MiniDSP hardware and open source software, and it really made a huge difference.
Once I got the basic response in the room pretty flat (for the main listening position), I found I could turn the amp and speakers up more without boomy resonance, and without it sounding obtrusive (in a way that might annoy neighbours). I also put a big rug in to cover up the hardwood floor in front of the speakers. The response is still not completely flat across the entire range of the speaker -- I think if you measure in most rooms you might be surprised just how far away from ideal you are -- but it's noticeably better.
At some point I'd like to try removing the crossovers and going active there (which I can do with the existing hardware) and combining room correction with an active crossover to get the best overall response.
* recapped by me, so I know it's in good nick.
** urged by my wife, I tried replacing them with a set of standmounts that were the top recommended budget-ish option from all the hifi mags. I immediately sent them back, as it sounded like something was wrong, and I was listening through a 1970s transistor radio. The on paper bass response was about the same, but in actual practice, there was no comparison.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Seriously: If you value it, take/fetch it yourself
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Not 100% true my friend. A pair of good stand mount speakers plus a REL sub woofer, if it is well setup, will give you a top quality sound. Without totally dominating the room.
Nil Satis Nisi Optimum
Point source speakers only, right?
When I did have mine integrated I was surprised at the types of music it enhanced most - I'd assumed it would be reggae and stuff like that - tried U-Roy and Congos records and they are already recorded with prominent bass so the difference wasn't dramatic. I really noticed the difference in mellower stuff - pianos on Joni Mitchell "Blue" sounded great.
No idea why.
Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
Six 15-inch mains, two twin-18-inch subs.
We made a preset with and without subs; if they're off then the high pass for the mains drops from 110Hz to 65Hz.
On some material you really couldn't hear the difference; on other things it was really, really obvious. And with it wound up enough we got complaints from the second floor, along with one "what were you playing a couple of minutes ago" from the next building along.
Now I know that commercial audio isn't hifi, but a well integrated sub can do remarkable things for music.