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A Superswitch would also work since that has four poles, but you’ll need to lose one of the existing settings. (Perhaps you don’t use the middle pickup by itself...)
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
- The differences in construction between the two pickups. (Magnets, wire, coil dimensions and the metal cover.)
- The differences in their relative output.
- The body mounting of the neck/Rhythm pickup versus the bridge/Treble pickup suspended through a stamped steel bridge/tailpiece.
- The reflector plate on the underside of the bridge/Treble pickup.
- The absence of a vibrato cavity.
Having made extensive use of the Seymour Duncan Twangbanger and Custom Shop Strat-Tele pickups, I regret to report that extracting a convincing Tele-like sound from a Stratocaster is never entirely successful - not even when Lowell George tried it.I find that the Twangbanger pickup provides more edgy twang when paired with a No-Load tone control.
The simple approach would make possible the neck + bridge in parallel sound in selector switch position number 3 ... at the expense of losing the middle pickup only option.
The complex approach requires a DPDT switch or push-pull pot to divert the neck pickup signal to the volume pot input lug whilst the bridge pickup is selected.
If I understand the Dan Armstrong schematic correctly, the lower "Fader" pot should still perform its series blending function. This will provide a continuously adjustable range of parallel and series "middle position" sounds.
The upside of this is plenty of sonic variety. The downside is that you will sometimes need to make rapid adjustments to the Fader control when switching between some of the pickup combinations.
I know the new proposed switching wont have that proper tele spank but, for the funk stuff we do Im guessing it'd work.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
For a plastic volume knob, you need the splined shaft "Strat" version of the S-1.
1 - neck pickup to 5-way switch (normal) or volume pot (down)
2 - bridge pickup to 5-way switch (normal) or volume pot (down)
3 - volume pot to 5-way (normal, no connection down)
4 - centre terminal of blend pot to ground, bypassing blend (down, no connection up)
That will give you everything you have now, but with the 'Tele' sound when you push the S1 down.
The positions of the terminals on the S1 are a little complex - two go one way and two the other, clockwise and anticlockwise - but you can work it out easily enough with a multimeter.
Adding a baseplate to the bridge pickup will also get you a little closer to the Tele sound without stopping it sounding like a Strat normally.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein