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Combined with the EHX Pitch Fork pitch shifter and Lester G rotary effect, the result is not massively dissimilar from the B9 and C9 pedals.
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It is unclear whether the stereo mode is two independent compression circuits with shared controls or if all input signals are summed to mono. I shall have to test it with two wildly different input signals.
As mentioned earlier, I treat this pedal as a self-contained weird noises box rather than a conventional compressor/limiter. In all probability, the pedal will see the majority of action with my Chapman Stick.