Is interesting that I can be listening to the radio or TV and hear something that I know so well in my head but never got down to pat on guitar and then set myself the task of getting it polished...
Right now I am half way through the two lead licks in 10cc's I'm Mandy Fly Me...
I use all the modern tools but the most important is the knowledge of where the notes are and what they are as you can also uncover so much more of the song in the process...
Tools/procedure:
Youtube - grab url
Keep Vid - paste URL and save as FLV
Switch Sound File Converter - convert from FLV to WAV
Audacity - clipout just the part and save as WAV
Transcribe! - load clip and slow to suit
Get starting point... find a relevant note
Refer to Neck Notes chart
Put the legwork in...
Feel smug!
<Vintage BOSS Upgrades>
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Comments
I usualy put them on in the car to get the structure in my head, then sit a play along via itunes or youtube to find the key and the chords then work at transcribing the lead parts. If I'm not hearing a part then there a usually a zillion youtube videos as a back up but I enjoying trying to find it by ear..
I don't use video much but every now and then it really helps because it shows you where on the neck it's played.
But what you usually find -- why, oh why is this? -- is that when the guitar player plays the solo the f*cking cameraman decides it's time to have a close up of the bassist.
Are all cameramen part of some secret tribe of bassists? They turn up at the TV studio, the producer holds up four fingers with a knowing look in his eye, the cameraman gives a little nod and wiggles two fingers on his right hand -- that's it, you're in son, no bastard guitar player will ever be filmed taking a solo on my watch!
So to branch away from thrashy stuff, I'm learning some alter bridge - metalingus and one day remains.
Both are because they're fucking awesome songs and because they're pushing my technique. Metalingus requires a strong little finger power chord riffing, which I'm awful at. One day remains seems okay, but requires very gentle palm muting and really, really accurate picking technique. Everyone says how he drenches in wah to hide mistakes, but you can only get away with it once! It's a major key riff, too, something I really don't use much.
Both are a bit thrashy though.
My current goal is to play along with Black Rose by Thin Lizzy.
I have always just worked stuffout hit and miss by ear, but where this approach limits me is on the very demanding bit where Gary Moore plays the medley of jigs.
I'm doing my best to clock what position he's playing each section in via Youtube videos, but I might have to resort to some of the software you mention.
I can crack it. I just need a surer sense of which fingers need to go where!
Sounds a lot more convenient. I' m getting Vibration White Finger doing it my way.
:-)