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"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Just because I don't care, doesn't mean I don't understand." - Homer Simpson
Ok cool, best start finding some gas funds...
Studio: https://www.voltperoctave.com
Music: https://www.euclideancircuits.com
Me: https://www.jamesrichmond.com
whose home? my home practice volume certainly, how loud do you play at home? if not loud, we need someone who plays quieter to advise
I think the trick is - buy an amp that's amongst the top 20 designs ever built, out of those you can pick up JTM45 and bassman clones cheap. Dumble clones are a great versatile amp too, but never go that cheap
my Ceriatone JTM45 clone is very nice, and I agree with the recommendation.
There was a bassman clone on musicradar for a long time I think. Was it an MJW?
The amp is the core, as JR says. I tried some pedals that a favourite player uses, but I play with a cleaner amp, so they didn't work for me - they crisped up his more smeared overdriven sound, whereas I need pedals to add grit or smear my cleaner SRV/JM type tone. I use pedals to vary the sound of the amp - for me the pedal is not the starting point, but the tweak I add. Having said that, most of my pedals work with most of my amps - but I picked them all
Bandcamp
Spotify, Apple et al
double clicked ........... duplicate post
http://i262.photobucket.com/albums/ii98/marantz1300/Gibson/7ea7420a-4011-4e7b-a4b9-f2caa0fbe92e_zpsef21907b.jpg
This is one of the reasons I like to rehearse with an attenuator (Hotplate, but thats only good into Fender style amps) because at a gig I can just go up a notch and I'll have more volume but the repsonse will be almost identical, almost because pushing a speaker hard gives a bit of compression in addition to the trouser flapping loveliness.......