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I think it's easy to be a music snob about this stuff.
I know I am.....
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“Theory is something that is written down after the music has been made so we can explain it to others”– Levi Clay
Another band that was brilliant at building grass roots support via low cost marketing (before the internet) was The Hamsters - remember them folks? Great band, that you'd never hear on the radio or whatever, but they built up a mailing list and loyal fanbase. Though I think they were mostly / entirely covers?
In my experience, with covers if the singer is reasonable, the punters can hear the singer clearly over the band, and you're playing recognisable covers, you'll go down ok. Add lots of beer and the right set will have the floor full all night.
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What is this "money" you speak of?
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You'd like us then we are a very rough covers band!
I gig pretty much the same set in a 5-piece band and a duo with one guitar and a singer. I figure if I can play a song on an acoustic guitar and everyone dances to it then I don't need the specific flanger which was on the record in the full band either.
Bandcamp
Spotify, Apple et al
If my band started to play covers in our set, then we'd always throw our own slant on it. Always. Trying to sound too much like the band you're covering defeats the purpose. Might as well be doing karaoke with pots and pans. As long as it sounds like us then I think we're doing it right (apart from covering anything too outreaching like...I dunno, Katy Perry. We are a doomy, punk, sludgy metal band after all and anything too 'out there' just seems like a gimmick).
I'm too creative for my own good to play in a covers band though. Well, so I keep telling myself but it's good to have confidence. Heh.