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Not sure about the di route, but a zoom b3 could sort you out?
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
I'm forerver singing its praises, I know, but it's just brilliant.
Through a PA, take the time to build a few patches from scratch, and make sure you have the cab models at 100% mix - since the PA speaker(s) should be fairly neutral, you should get the full benefit of the nicelly modelled cabs in the Zoom.
It's made for this kind of thing I'd say.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It's very useful being able to edit effect settings on the PC.
As I said, this will be used with a Behringer 450W powered PA speaker and I have the choice of line input or XLR on the speaker. As the B3 has a DI out, what would be the best hook up? Of course, I'll try both and use my ears, but are there any advantages to using one over the other?
To the B3 owners here @tauzero @Ramirez and @ICBM, any other recommendations for quick set up and a decent tone i.e. what to do with the speaker emulation/cabinets, the blend/mix etc and anything to watch out for? For the time being, I don't need weird sounds or anything fancy for this gig - Madness tribute band - and I'd like a good, solid bass tone, a bit bell-like rather than dirty. I might use a bit of compression and occasionally, the octaver.
Cheers
If I were you I'd start with just an amp model loaded and the other two slots blank. Find a model you like the sound of, and ensure that the 'CAB' knob is set to 100% (back it off if you prefer some of the dry sound to come through as well). I think there's another mix control under 'global', and perhaps another one under 'patch' settings (don't have my unit to hand at the moment) - ensure all these are setto 100% at the moment so that you're getting the full whack from the Zoom - as said you can always back them off later if you want to (If I've got it right, the 'CAB' mix controls how much of the cabinet simulation is in your sound; 0% would be just the amp model with no speaker simulation. The 'global' and 'patch' parameters controls how much of the direct bass tone comes through in relation to any processing from the Zoom)
Once you're happy with your basic amp sound, you could try a compressor in one of the other slots, or whatever takes your fancy - my 'basic' sound is one of the compressors (dbx160 model I think) into the Bassman model with it's own cab, at 100%. For your stuff one of the other amps may well be more appropriate.
If you're having problems just ask, I'll be able to answer better when I have mine with me!
I'll keep you posted and works fine through a powered PA speaker.
EDIT: Sadly, this set up didn't work and I was trying to achieve a bass rig on the cheap. The Zoom was superb and I liked it a lot, but despite the PA speaker being powered and 450W, it couldn't deliver and things didn't sound nice or right. I didn't want to run just a DI from the unit as our PA couldn't handle it comfortably and the same for sending a feed from the unit when using the speaker too. So, I had to return the unit to the shop to make up the dosh/as part of the amp deal etc but I did buy the superb Roland Bass Cube 120XL at a knock down price. However, when I've funds again, I'll be on the look out for a used or cheap B3 as apart from being a great bass preamp/enhancer, the filters, comps, mods, octavers worked very well on my guitar too and gave me some really strong funk sounds (forget the overdrives). Sad to see the unit go but needs must and I still think it's one of the better units out there.
Further edit: I've now acquired a Zoom MS-60B and this effectively is a scaled-down B3. Damn good units and a lot there for the money. This also works well on guitar so a win-win purchase.