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I think I'm predominantly an upward (or close to level) pick slanter but move to a downward pick slant for certain things such as that Johnson/Bonamassa descending backtracking pentatonic lick. However, my picking isn't that great, probably because I'm left handed playing a right handed guitar and I tend to use quite a bit of legato. But I continue to work at it.
I have noticed an occasional swipe sound after recording a fast picking part and slowing it down, which means I don't always completely clear the strings, but it made me feel better about that when I heard from the Troy Grady videos that it happens with other players as well.
Based on his definitions, I'm a Crosspicker, but am starting to introduce two way pick slanting on a tactical basis for passages where I'm struggling to get up to tempo. It's working because licks I've been struggling with are much quicker now.
The challenge with applying this stuff to acoustic is that some things (like upward pick slanting) are real acoustic tone killers - for example, a downstroke with an upward pick slant - so picking out and away from the guitar - sounds very weak compared to a downward slanted rest stroke.