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I had an El Maya Strat, sadly with a stuck truss rod, that was a through neck with Walnut sides. It weighed *A LOT* and I think it had DiMarzio pickups (or good copies thereof). I sold it about 20 years ago, though and I don't think I've ever seen another like it...
http://www.thefretboard.co.uk/discussion/61134/sarge/p1
Edit: Must have dreamt it!
It is the BEST quality guitar I have ever played in over 30 years of playing
Its a solid mahogany body arched topped like a Les Paul with the following features:
straight through maple neck with mahagony skunk stripe, self locking modern schaller tuners with deluxe style string lock
string through body
strat style hard tail bridge
brass nut, brass saddles, brass ferrules
the pots looked exactly like full size alpha pots not the usual flimsy things on epiphines or mini pots.
all the hardware is gold plated.
mines a 1970s guitar I bought it mid 1980s as a kid after saving up £239 on my summer job (where it was reduced from £279 back then that was a heck of a lot for a guitar) it had sat in the music shop for £10 years. Gradually the price came down until I saw it and played it.
It was made in Kobe Japan, these have no relation to Maya guitars which are cheap and from another factory entirely with their own pickups. The pickups in my guitar are OEM DiMarzio pickups, at first I thought they were Superdistortions but sound too bright for those and have it confirmed that they are early DiMarzio Super 2 pickups - using the same single core hookup as the 1st generation Superdistortions (where single core is hit and the outer braid is ground)
a couple of luthiers i have seen it, one did a set up before I learned how to do that stuff and he said this:
In all his years as a guitar tech, he has never encountered such a fine electric guitar, if o ever thought about selling it, his first advice was don't as I would never find the like again and I would need to spend thousands of pounds getting a USA Gibson Les Paul to come close. And second if I really did want to sell it, sell it to him as he really liked it and would actually pay decent money for such a rare unknown beast.
its the nicest playing guitar, the finish even after the 30 years I had it even as a gigging guitar is amazing.
i don't like the DiMarzios they are very high gain so I swapped out the oversize ceramic magnets for ALNICO 2 which hits the blues/classic rock vibe I want, but may end up putting Seymour Duncan Pearly Gates in it.
if you ever find one, they occasionally pop up on eBay between £500 and a grand, snap it up.
turns out my luthier was wrong about the pickups.
they are Maxon pickups - Maxon did for a while stamp DiMarzio pickups with a Maxon serial number and they would say dimarzio made in USA stamped with Maxon serial number.
So it looks like mine are clones of DiMarzio Super 2 - they are constructed in exactly the same way. (Possibly mine are Maxon V1 or Maxon Super 88 which explains the brown bobbins)
There was also a super distortion clone , the V2 some of which were actual DiMarzio Superdistortion stamped with the original DiMarzio marks plus the Maxon serial number.
i don't actually like the pickups in mine - the wind and giant ceramic magnet while great for saturated gain and rich harmonics sound sterile, harsh and clunky clean.
Super 70 pickups are legend, they were the gap filler between PAF and super distortion and super 2 pickups using alnico 8 magnets.
Super 58s are PAF clones using alnico III magnets
http://www.liquisearch.com/maxon_effects/pickups/pickup_serial_numbers
Mine had what I now realise was a binding nut, and tuning stability was a real problem. I'd no idea then, and just put up with tuning continually depending on whether I was playing rhythm or lead (lots of bent strings sent it flat).
http://tertl.blogspot.com - personal blog