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For me, Brook seem to do smaller bodied stuff better really well. They seem to be able to get a big tone out of a small body. Conversely the bigger bodied stuff doesn't sound as big in comparison. I had a Teign (dreadnought) for a while. It didn't have anything like the low end punch of a Martin dread. I was a lovely sounding guitar but I couldn't get on with the neck. For what you want it might work quite well if you can get on with the shallow neck and flat fingerboard.
As others have said, the OOO / OM size is probably the best compromise, although the Martin dreadnoughts with the forward shifted bracing are a lot more responsive to finger picking and being played gently in general than the D28 style bracing.
Going back to Brook, the Tavy (small jumbo) is a good all rounder as well.
U play the instrument not 'the instrument plays u'
two guys choosing to play (with appropriate technique) what are deemed out and out ‘finger style’ guitars - Darrel Scott plays his Martin Simpson Signature Sobell (Alpine Spruce / African Blackwood).
Ross Martin chooses a Cedar topped Lowden (Hog b&sides for over a decade) to strum rhythm guitar in the band Daimh - being heard along side fiddle and pipes - they can be heard playing purely acoustically on some of their videos. I mean Cedar - what about the lack of HEADROOM - argh this is insane, u cant strum a Cedar Lowden - it's against the laws of (internet) physics - btw the Cittern is also Cedar - they get going half way in.
http://www.sobellguitars.com/darrell-scott-and-martin-simpson-model-guitar-06-september-2010/
just to say - I have a (well known ) cedar topped 'finger pickers six string guitar I regularly give big lick to also a cedar topped 12 string which come in for a fair bit of 'abuse' when the need takes me - never a problem - it's HOW ya do it.
oh dont forget another 'strummed' who plays a fingerpickers guitar - a Cedar / Brazilian Lowden 'O' -
same model he gave to El Clapo !
Once u have a well developed and varied array of 'licks & 'chops' to express u'r music with u can explore th3qualaties of different types of instruments and make u'r own mind up as to whay can be done or used - rule braking plays it's part also.
Beware also of the 'image' some artists have to maintain, it's an important part of what their selling - e.g. imagine Clapo coming on stage with a big modern styled fan fret - like Andy McKee 'chooses' to use - nah just wouldn't work - for Clapo it's gotta be a classy, very rare, very expensive vintage retro job which can then be 'reproduced' after a fashion, with his name on it so devotees can have a bit of consumer satisfaction sitting in their lounge.
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Don't mention the Milk Carton Kids product / image / guitars.
- and heres another - again, a big Lowden cedar / r/wood ‘O’ - considered by some as ’THE’ Lowden in terms of huge complex sound and favoured by many finger stylists.
MH prefer this O25c for his ‘deep’ (low) tunings e.g. BbEbBbBbEbGb
enjoy
Lewy, u’r right - something to do with Jerry + Ali’s production company refer’d to as part of the ‘Celtic Mafia’
(Pelicula Films Ltd - Transatlantic Sessions musical co-directors Aly Bain and Jerry Douglas).
I'd say faith are a better option personally
Also what kind of body size/type is that - is it as big as the O size Lowdens/Avalons do you think ?
Larrivee are excellent and by far the best bang for buck.
My YouTube Channel
http://koppguitars.com/guitars/kopp-trail-boss/
I speak as a Larrivee fan who owned 4 or 5 at once, I still have kept my SD60, but all my Avalons are better, some 2 notches or more up from the SD60