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Comments
He may have something to say about the 4001 pickguard shape too, although I'm not sure if that's trademarked.
I don't hate them, but they do seem a bit like yet another attempt to cram as many different vintage features as possible into one guitar without any real originality or a whole concept that quite works.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Problem is that we're reading it in English, not Italian. I think it is a bad choice of name.
They're not for me, I'm afraid. Although I like the wraparound bridge.
Sounds pretty good to me and I like the Rickenbacker/Supro style. Not sure if it will work when finished in poly though: half the charm of these retro, pawnshoppy guitars is in their mojo.
Has Korea ever produced a mojo-filled guitar, despite the attempts by several manufacturers to have their economic cake and eat it? Japan and China have but I'm not so sure about Korea.
https://m.youtube.com/watch?v=2zQSuPDmBPc
And lo, made by the same company that's making the Rivolta.
Or maybe it turns out "mojo" is imbued by the player... I'd say this is proof of either.
To be fair, he sounds great whatever he's playing and I could listen to him all day long.
Splendid tones nevertheless!
Anyway, loved the feel of it, the body size is spot on (slightly on the larger side but not semi acoustic large), the acoustic sound and resonance was there, played great, and it felt well put together. It ticks a lot of boxes of what I'm looking for in my next guitar (chambered mahogany body, maple set neck, P90's) - going to have to spend some more time with one methinks.
dennis fano design? come on dennis, call a spade a spade and a copy a copy. lazy boy.