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Where did you read that? I'd be keen to know if that's so. But I've listened to many clips now and it doesn't sound to me like a bigger Blue Sky. I didn't detect any of those digital trails that i didn't like in the Blue and i'd be surprised if in the last couple of years they hadn't improved it. I've read some users saying the sound is much improved, but i grant you they might just be wishing it so
Where did you read that? I'd be keen to know if that's so. But I've listened to many clips now and it doesn't sound to me like a bigger Blue Sky. I didn't detect any of those digital trails that i didn't like in the Blue and i'd be surprised if in the last couple of years they hadn't improved it. I've read some users saying the sound is much improved, but i grant you they might just be wishing it so
HOWEVER, the Big Sky is stunning. Much less digital than the Blue Sky, and the only pedal i've encountered that does the Neunaber Wet sound.
It does gorgeous reverb, but also slightly usuable and workable subtle chorusey sounds. Also, the freeze function is gorgeous.
I've had some of my best live sounds ever put of this. I've got an eventide H9 incoming on Monday. Be interetsing to A/B The two; one of them will then be sold...
The Big Sky just 'fills' out your sound more, especially when used subtly. Indeed, the secret to using Strymon gear is to work out exactly how you will USE them...
The Big Sky has seen off my Timeline, Neunaber Wet, H9, Red Panda.... All great pedals, but just not as 'natural' or 'organic' as the BS...
interesting. Out of all of the recent Strymons, Eventides etc I've tried recently, the Big Sky is the only one that doesn't sound 'sterile'... The 'versatile' setting on the Big Sky nails the Wet's sound, and then some....
Still, I still think the Wet is a great pedal and worth every penny at £200...