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I've yet to try the EHX Silencer but have heard good things, especially for the price. Decimator I haven't tried but it doesn't have a loop so I'm weary.
It allows stacking all sorts without noise.
Having reverb delay etc outside the filtering loop keeps their decay untouched.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
*An Official Foo-Approved guitarist since Sept 2023.
My NS2 "clamps" the attack if the threshold is too high, best start with it fully off and decay maxed, bring up the threshold gradually till the noise floor's gone or just lessened if you like. Then mess with the decay to taste.
Unless you want to change the control for different pedal combos, set it with the noisiest ones running. Set right it'll silence noisy fuzzes and whatnot without taking anything off your base tone, decay etc.
Its as many have said 'horses for courses' I can't imagine any worthwhile metal high gain tone being bearable without a gate.
@Jonathanthomas83 be wary of advice on these matters, as people's uses of a noise gate vary considerably, I believe most on this forum that use 'em fall into two categories,
1) high gain guys (me) looking to silence the fat fryer between songs and get a brutally tight rhythm chug and use it almost as an effect,
2) the gain stacking strat dudes that want to put a TS into a Klon to goose their Muff before it hits the front end of their cooking Princeton and are just trying to reduce 50cycle hum.
Try and work out which you are and then you stand a better chance of figuring out which would suit you better.
I can play Sorrow. That proves it.
*An Official Foo-Approved guitarist since Sept 2023.
im an ns2 user, in the past I've actually used one in front and one in the loop for ultimate silence. I don't tend to use them now I'm playing with less gain, but for modern metal they are an essential.