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Saying nothing else sounds like a Gibson 335 is bobbins. Nothing else has Gibson in the headstock that's all.
My 1981 Tokai es100 has beat off 4 other Gibson 335s over the years.
Edit: it might have been a Casino actually...
Finally bought a new one in approx '97 from Dawson's Stockport. It was the biggest let down in history, it was lifeless, hard to play and too pristine for general gigging/having out of the case.
I was just too blinded by the headstock name and kidded myself it would get better etc.
Roll on 10 yrs later in a studio recording an ep and the bassist brings in a 90's Ibanez Semi, no idea of model but no frills.
It restored my faith in large semis and I vowed never to pretend a guitar was better just because of the name on the headstock again.
A precautionary tale for all
Ps. If I was getting one, I'd be looking at a Verithin or some Epi.
Currently have a CT series Verythin and really like it.Has a proper acousticness to its sound.
Gave you a LOL by accident by the way.
Ah, i stand corrected (or confirmed I suppose),
OP, basically the only downside of switching out the PUPS is having to play the Epiphone lottery. Occasionally you will find a beautifully finished, pretty, well balanced guitar but just as often you will find a massive, fat stinking turd. I wouldn't worry too much about the year (or where it was made) tbh, just try before you buy and you'll be fine.
I can't recommend a Gibson Es 335 nowadays. £2k+ is completely unjustifiable, and its basically because of the name on the headstock. And like several others have said, there are some naff, lifeless ES-335's knocking about as well.
Also worth considering are old Westone Rainbows, although for some reason they seem to be getting ridiculously expensive on Ebay, Again, nicely made and great-sounding, although they have a bit of an '80's semi' look about them (the horns are pointier than a 335 and the headstock is a bit 'Aria').
why not just get the one you saw put on a courier ? that's what couriers are for
After I got my Gibson it became virtually unplayable, as the nitro on the neck was really sticky and not just in a 'because it's gloss' kind of way. I used scotchbrite to take it almost all off, then polished the neck with Gibson pump Polish. Only now is it a comfortable guitar to play.
It does sound good, but, when spending serious money on a guitar you shouldn't be expected to finish it yourself.
I've played a few Tokai's and they've always been great.