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Not exactly sure what I want. I have a Memory lane Junior and nice spring reverb on my amp, but what something that I can use for swells for a long sustain, ambient wash kind of sound. I'm thinking some kind of reverb probably, something DSP based with a setting suitable for this kind of thing, a soft droning tone and a long decay.
I'm thinking a Neunaber stereo wet? Basically if I bring a chord in and out with a swell, I want a sound similar to a chorus of angels to sustain for a while, but with no discernible repeats. Not really anything like the ice kind of effects.
What would be good for this? The other thing I was thinking was selling my memory lane Junior and replacing it with a H9, which could cover basic delay sounds and some more ambient reverbs.
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Comments
Remember, it's easier to criticise than create!
Volume control. I don't need swell from the pedal.
The Pad setting on the MXR reverb looks interesting.
Wouldn't mind a superego, but I don't really need that dryer infinite hold sound. I'll have a look at the Hungry Robot one.
I've also a Red Panda Context Reverb incoming. Will feed back on that when it's here.
It looks cool. Have just checked again, not out until June, so I'll look out for it then.
I think I'll go for a Neunaber Immerse, or Slate.
Remember, it's easier to criticise than create!
Yes, I mentioned this above. I'l probably go for this or a slate, not sure yet. I've heard a wet, it was a definite wow effect. Just need to decide whether I'd use the other verbs more, or the other Neunaber effects if I got a slate and exp. From what I can gather, the wet algorithm is the one, their chorus, delay etc are not in the same league.
Any reverb with a long decay time and the mix turned up high (perhaps higher than 50/50 with the dry signal) will give you a sustaining sound. Multiple delays will do something similar- I've got a pattern delay (16 delay lines) setting on my DD-500 that does a very synth pad-type sound that might fit the bill, and several dual delay settings that do the same thing to a lesser extent. For extra synthy points, adding a modulation effect *after* the delay/reverb works well.
Trouble is, both options will still sound more or less like what you put in to them, minus the guitar's attack/decay- if you want something that sounds even less like a recognizable instrument then something like Line 6's Particle Verb / Eventide's Blackhole / Zoom's take on both, or a "shimmer" octave up effect might work. The least crazy setting on my M5's Particle Verb has a sort of vocal quality to it that might be what you're after.
Don't talk politics and don't throw stones. Your royal highnesses.
Remember, it's easier to criticise than create!
Funnily enough I saw this the other day.
Yes that kind of thing. I'm going to get a Neunaber Expanse or Immerse as first point of call.
Also, possibly a Nemesis, as suggested by @drewfx to replace my memory lane junior.
To be fair, I'm happy to go with whatever sounds these may bring, I'm not too specific in what I want, just a layer on sustaining ambience when the need arises.