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Comments
Amazing!
I think you hit the nail on the head.
Well their marketing people certainly get an internet fail, if for no other reason than how people talk about the MG series. These SHOULD have a reputation as a reasonable range of cheap-ish solid state amps. Yes you pay for the "name" a bit but people do that with iPhones and don't have a problem with it.
So an entry level product where when someone buys one the internet should be reviewed as such, not as nice as tube amps, you can get an equivalent or slightly better product at a slighlty lesser price, but fine as an amp for beginners or low volume use. In fact, they are the butt of all jokes.
At the same time Blackstar, Vox and Fender's ranges seem to get almost universal praise, something is amiss here, MGs are not as bad as everyone makes out.
With the Astorias, why didn't they make them look like Marshalls? As it was, they looked like an odd combination of some over-styled boutique amp in colours a lot of people didn't want, with a cheap black grille cloth that didn't go with it at all. If they'd made them look like a JTM45/Bluesbreaker - or even just done them in black with basketweave grilles - I think they'd have sold OK.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
You've obviously not played through one then......
Although that wouldn't necessarily stop them selling .
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I look at the reissues and handwired amps as real marshalls and the mg, avt as amps with the marshall logo.
iirc they briefly brought back the park brand name and would have been better to have the cheap amps as Park by Marshall instead of hurting their rep as a high end aspirational product.
Marshall's response: No. We have no plans for that.
Nobbers.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Lol oh marshall, that right there was a hint of free market research.
I agree that they need to split the ranges - the easiest way would be simply to use the plain white Marshall script logo for the standard ranges, and either a gold-fronted reissue one or a plexi block logo for the upmarket ones.
Whereas now, some twit has decided to put the plexi logo - and checkerboard grille cloth - on some of the DSLs, which just looks stupid and probably takes away any kudos that logo has on the HW reissues. They just don't seem to have a clue.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
I can't say whether they have a well built or laid out PCB, but I think the effects loop on the current Chinese ones is OK.
Don't talk politics and don't throw stones. Your royal highnesses.
Right, we made the best rock amp ever made. Should we capitalise on that?
Nah, let's work on the nailing the wasp in jar market instead. we can utilise new technology to nail every possible combination of jar type and wasp species.
Brilliant idea.
Bandcamp
Spotify, Apple et al
The original version has a parallel loop but that's fairly easy to swap to serial and it and the reverb are solid state.
I had a play through one the other day in Macaris over the road from us.
It was pretty bad.
I was using a LP Junior, which you would of thought should have been a good match!
I've not seen any in for repair, which suggests that either they are reliable, or they haven't sold any......
Let's be honest, they have been struggling for years.
I started playing 83, so remember the JCM800 pretty well. My first 'proper' amp was a 25/50 Jubilee series, I lusted after the 9000 rack series etc.
Really for a very long time (I would argue since JCM900) Marshall has missed the mark somehow most times, I owned a 401C and that was ok soundwise, it sounded like a Marshall which loads hadn't - but mine too was unreliable, and also just didn't seem that well built on the outside (Tolex etc).
I was very excited when the Jubilee re-issue and mini came out, and I feel it's broadly accurate. But it reminded me I don't need one anymore, the world has moved on.
When I think of the Marshall range - I (probably without grounds) think of a few things:
1. Overly heavy/loud amps
2. Poor master volume
3. Wasp in jar
4. Amps that sound good - but at a level which is beyond anything I can use anymore.
Take the Class 5, I can't tell if it's any good. The couple of times I've tried to demo, it's sounded thin and brittle - and stupidly loud, meaning within 2 minutes I'm done on the demo - rather than working out if I can make it work.
If they would make either a nice Bluesbreaker with amazing mv or scaling.
Or/
Basically a modern amp - what I mean with that is something which has a decent effects loop, allows me to have a drive and a clean sound without massive compromises (one of the problems for me with the Jubilee re-issue, same problem with the original actually), takes pedals well and is reasonably priced. And has a master volume/scaling solution which means it's viable to use at home and small/medium gigs.
Winner!
I think Orange does better because it's stuck to it's brand a bit more, I actually don't like them - but I understand what they represent and what they're good for, they've not bothered with loops which don't work (usually) and when you look at the amp, you kind of know what it's trying to be.
I know there was a lot of criticism over the looks but I like it and to be honest many of the other boutique builders are using similar colour schemes and people rave about them. It just that its a Marshall so many peoples expectation is it must be black.
My problem with them is the lack of colour choice - the pastel colours are OK, but they need to be a custom option with black as standard, and not specific to each model - and that on the cabs and combos, the black grille cloth looks unbelievably cheap and out of place regardless of the colour.
I'm not a fan of that fussy panel shaping in the top and especially the bottom of the cabinet grille cutouts either - it's not quite so bad on the heads. It all smacks of marketing desperation to do something different, over proper design to do something that they used to do well.
I'm still completely of the opinion that if they just made some sensible updates to some of their classic models, built them well and made them look like classic Marshalls, they'd sell as many as they could make.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein