Ok, so this is potentially a blatant invitation for the Rickenbacker bass fundamentalists (& mentalists) to come out of the woods with their pointed sticks & call 'heresy!' on the whole debate.
But... at a grand a pop, this is pretty much a bass i am never going to own, & yet i am very curious about what i might be able to do with that sound, within the scope of the musical (& non-musical) things i like to do.
So i am working on the principle that while arguments (valid/invalid) can & will be made about specifications particular to the Ricky basses that will hold water, there will equally always be scope to locate a non-Ricky bass at a desired point along a spectrum of tones, ranging from 'sounding nothing like a RIcky' to 'sounding a lot like a Ricky'.
So rather like going to the opticians to have your eyes tested for new glasses ("is this better with? or without?") can anyone suggest a prescription suited to addressing this challenge.
For example, if we were talking guitars then something like a jangle box & a TC liverpool would be useful if you were searching for that classic 1960s 12string 'beat explosion' Rickenbacker sound.
As far as i know, no such one-stop stompbox exists for emulating the Ricky bass sound, but it may be a case that such a box does exist but it is just not being marketed for that purpose.
Anyway, assuming a modest young bedroom bassist's budget (Squires not Fenders, sub £100 non-boutique pedals, one amp not multiple) what would you suggest?
hofner hussie & hayman harpie. what she said...
Comments
I'm going to be a proper heathen and say "have you tried a proper single coil 51P bass type?"
only tried bog standard squier & fender precisions & jazzes (with a variety of pickup & bridge subs).
i confess didn't realise the 51P had anything they don't have. lazy on my part maybe. i'm just so used to fender retaining the basics & tweaking the cosmetics that i wrote that one off as just a precision with a makeover.
to me Rickenbacker bass is cilppy-clicky, slighty shearing & metallic resonance, bottom end thump. so that would be my direction of travel on this one.
I personally think trying to emulate the sound of a Ric on a budget is a dark alley to madness.. which is why I suggested the 51P style - it's different, it's got some of that metallic resonance and bottom end thump as it's a single coil pickup - but you can get one for peanuts if you look hard enough or go Partscaster.
Here's mine:
I like the formula so much (that single coil just where it is) that I'm doing another - this one is semi-hollow:
You can do one as a partcaster on the cheap - and I honestly think it will get you *some* of the sound you are after (more so than anything with hum buckers or jazz style pickups)
You want cheap? You want the Behringer BDI21. £30.
It's about the best Bass £30 you can spend - it's a clone of the sansamp (sort of) and for the money it's bloody excellent and nothing like the usual tat you'd get for £30.
https://www.gak.co.uk/en/behringer-bdi-21-bass-amp-modeler-di/988?gclid=CjwKCAjwj4zaBRABEiwA0xwsP1xk3HkE-4FGpLMmRl__ktrAyKPHx-6zcjT1wNJJnNVmobQLSDJwSxoCV9cQAvD_BwE
Band Stuff: https://navigationofficial.bandcamp.com/album/silhouette-ep
http://chownybass.com/product/retrovibe-by-chowny-vantage/
(If you mean the Rick bridge pickup, anyway.)
There’s no special magic to it, it’s just a bass sound. I happen to like the feel, look and sound of a Rick, but any bass with a punchy pickup in the middle will do it.
Personally I would take the ‘57-style P over the ‘51, the pickup is a little closer to the bridge and hum-cancelling.
For what it's worth I have humbuckers in my Rick and it still sounds like a Rick...
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
http://www.rickresource.com/rrp/setneckbasses.html
(Personally I don’t think so)
I would say not too, although it it is an otherwise odd coincidence that three of my favourite basses - Rick, Thunderbird and Aria SB - are all through-neck despite being quite different otherwise.
But at the end of the day it goes back to why (for me) there is no real reason to have more than one bass - with a decently punchy pickup in roughly the right place and powerful enough EQ on the amp/pedals, I can get the sound I want.
If a P-Bass was just a little slimmer and had a slightly smaller neck (both width/depth and possibly scale length) I would probably play one as happily as I do my 4001. I have thought about it - you can get a worthwhile P-Bass for a couple of hundred pounds - but I just like the feel, playability and looks of the Rick more.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
Exactly, though I'd maybe add a low gain OD to the list for those that want that sound.
Two grand and, if you want a particular finish, about two years' wait.
Sweeping generalisation #1 - Use that sound to recreate pre-existing uses of it on record or in concert. e.g. The Dukes Of Stratosphear albums used "period correct" gear to emulate the sounds that their songs pastiche.
Sweeping generalisation #2 - Use that known sound in a new context to create your own thang.
Geddy Lee of Rush repeatedly trots out the story about the heaps of fan mail he received, complimenting the tone of his Rickenbacker bass throughout the album Moving Pictures. (It appears on one song. Everything else is his black early Seventies Fender Jazz Bass.)
Sooooooooo ... Alder body, maple neck Jazz Bass, plectrum, actual Rickenbacker strings (maybe), aggressive playing attack, slightly dirty amplification.
*
For me, part of the joy of Ricks is their distinctive physical layout. The scale length, string spacing and the gubbins obstructing the middle of the body contribute to the ride. A combination of the sounds and the moves that are most comfortable to make on the fingerboard influence note choices. I will play things on a 4001 that I would never choose to on, say, a Fender or a Warwick.
The reverse is also true. Some things that I want to do can feel and/or sound wrong on the Rickenbacker.
As it happens, I have a Ricky bass body in stock, made from American red Alder with cream binding. I might even have a neck in the workshop for it. As you can see from the photo is not through neck. It can either be a bolt on, although almost people want a set neck on this type of bass. The body is the twin of a Ricky I made a few years ago, photo below.
The pink Ricky is fitted with Seymour Duncan PJ quarter pounders, powered up by top range actives by East Electronics. This combination of pickups and preamp can cover just about any sound you're looking for, although not quite Ricky, but almost. The owner of this bass plays in several different bands, from heavy metal to a Frank Sinatra big band and country, he also played the bass in a Modern Jazz Quartet.
I also have a 52 P-Bass not the one in the photo but a identical one, plus I also have a near semi 52 P-Bass as per the one @Bridgehouse has.
Your life will improve when you realise it’s better to be alone than chase people who do not really care about you. Saying YES to happiness means learning to say NO to things and people that stress you out.
https://www.facebook.com/grahame.pollard.39/
i thought it would be either part subs (high mass bridge & particular output pickups) or cheeky tricks like putting a big dense metal cover over the midway pickup, or wiring pickups out of phase. or pedals (janglebox or slight metallic flanging, even a ringmod).
so am surprised that most advice has been to do with the amp end. apart from dialing in a mid scoop i had felt the amp would be too late in the chain (can't draw out what isn't there).
but i totally value those opinions as you have all had many more years experience with much more gear to be able to call on tone. so will start there.
the behringer looks ace so will hit the youtube demos. i have just bought a used line 6 pocket pod for guitars & bass, so will muck around with that initially, as it seems quite decent for a budget amp&fx sim. but good to know the behringer will hit the spot (or near to) & isn't expensive & if Line 6 doesn't.
re new wood, have never been a fan of full scale fender basses. chunky precision etc necks i can't manage. i also find them ugly & planky looking, but that's just taste.
neckwise a jazz is do-able up to the 10th but after that widen/deepen beyond my comfort zone.
so i am committed to shortscales with skinny necks.
but hopefully those recommendations will be useful to someone without my fickle needs, or someone who is happy with their fender/squier/etc but interested in signature ricky tone.
the classic 'fretboard mission creep' in the last posts made me smile. clearly a luthier hand-built custom rickenbacker is the only realistic budget solution to this problem.
without doubt they are beautiful custom basses, & may well be the right answer for someone, but a shade (& some) beyond my current means. even in baby pink (swoons!).
btw i get the point some have made that they don't only do one sound, but it's that cliche'd clunky scoopy metallic thing that i think is the thing they do better than most, & which has become a kind of lazy shorthand for all they do. a fair point acknowledged.
On early Rickenbacker basses, the "metal cover" is actually the ends of two horseshoe magnets. (Yer actual 1930s technology.) On later examples, the pickup was redesigned. Consequently, the part in the space formerly occupied by the magnets is plastic.
Short scale for reasons of finger reach or in the hope that the neck depth will remain shallow?
On examples of the Charvel CX 492 with the "toothpaste" logo decal and Fender headstock outline, the neck is incredibly shallow. For you, the likely downside of this particular neck is that its string spacing is decidedly Precision.
Not so. Even as I type, there is a mildly abused Hondo II 4001-style project bass, listed on eBay for a starting price of one hundred and not many quid. It will need a good deal of work and parts throwing at it. The finished result will never match the real thing but it might manage a passable Cliff Burton or Peter Hook sound.