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You can build for a lot less than £900 if you stay off webforums and buy standard stuff you'd find in a typical shop.
And who's to know whether Line 6 only make £50 profit on a Helix and Fractal make £500 on an AxeFX.
I remember reading an interview with Cliff where he said when he started out that if he could sell 100 units a year then he'd be pleased, and then commenting that he sold that many "yesterday".
I think it's far exceeded his original expectations but yes competition is getting fierce for sure.
Pedalboard: £100
Power Supply: £100
Then the following stomps, let's say average of £80 each:
Tuner
OD
Fuzz
Flanger
Chorus
Reverb
Delay
EQ
Compressor
Octaver/Synth
10x £80 = £800
All up cost: £1000
Feedback
Then also add in a Phaser, tremolo and pitch shifter like the PS6, an expression pedal, and an ES8 to control them all with pedal order and parallel mixing..
If you took only EHX and Boss pedals, you'd still be getting towards the price.
.
Even used you'd struggle to do 900 for that lot..
Is that a likely typical pedal board though?
Most people use a tuner, a couple of drives or fuzz, a modulation and delay or reverb. Many people use less. Outside of webforums or rig run downs of certain bands it's rare to see a 10+ pedal pedalboard, I'd say half that is more typical.
Of course a multi FX can do more, that's kind of the point. But the majority of people don't need to spend £900 to make music, is the point I'm making.
But it is good to see other players doing things, line 6 entering lower price point, headrush coming to market with similar.
Fractal ain't doing anything new. There have always been companies who produce decides for the high price point, even pro only, market which is exactly what they are doing, lower volume, higher prices but have always produced regular and decent frequency of updates. Plenty of other companies in all sorts of business types do exactly that. Though from what I can see rather than always try and help he can be hell of a touchy to anyone who says they don't like something about unit. Would it not go a bit smoother if he said he'd have a wee look at x,y,z and see if anything can be done
Wonder what next company will be to add similar to their line up. I have a feeling digitech having new owners will be challenged on what they have coming up and told to prove themselves and their worth. Also heard a rumble to expect something in the near future. I expect a modern RP type unit moving into helix/headrush style. And half hope a new GSP (please do as line 6 and make it work with control 2 as they do with the shortboard). What id also love to see in a new GSP is borrow the souncraft WiFi mixer tech and allow any browser to access it's menus to provide similar function to helix/headrush but on any tablet, pc, phone. If I was goin all out turn market on head why not an expander unit as well (so digital modelling etc all in new gsp with control2, midi and tablet control via wi-fi). Have a gsp companion which basically an analogue valve preamp unit which also includes a power tube saturation stuff inside as well) have a connect it that allows gsp modelling to control parameters in the saturation and valve pre as it would it's own models to allow you to use it as part of models or as stand alone valve pre without modelling getting involved.... Ok I'm just dreaming now lol
Before the Pearce BC1 model appeared I was getting very close to it by blending a 5150 and a fuzz with some interesting EQ choices. I've got a real Ampeg SVP-BSP (which is Ampeg's version of the BC1 albeit with some control parameters missing / baked in) and the modeled version is better. Not only is there more control, the real BC1 and the Ampeg are right hissy bastards at full gain. The Ampeg has a noise gate but it is far too harsh.
The model is still a bit hissy at full throttle but the levels are so much lower. Then add the Helix own gate and it's close to perfect. I'm even thinking about selling the SVP-BSP now.
The L6 Litigator amp model is great on bass too - it's a bit like an old Bassman but with a slightly different flavour to it. It's a cracker.
I’m so bored I might as well be listening to Pink Floyd
If we did stick to a tuner, drive, fuzz, mod, delay and reverb then you'll still drop £150 on a board and power supply, and at 80 notes a pedal that's still £550 for the basics.
Anyone with even a hint of an idea they might expand this should consider the extra (less than) £300 to go straight to all of it plus excellent amp modelling. When you get 4cm right with a Helix you can effectively give yourself a van full of amp heads to go with it...
Full-fat Helix lets you use the two leftmost switches for control, looks like LT does not.
Quite. But this is the fretboard, making music is not always the goal..
Tinkering.
That is the future.