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Seriously: If you value it, take/fetch it yourself
Hence the loudness wars as they race was on to make your artist as loud a s fook. Because louder is better no?
Not really I prefer dynamics and brickwall compression and mastering these day makes for ear fatigue from a constant loud unchanging noise, to me to it is the equivalent to a very loud monotone voice.
Of course artists and others in the chain also bought into it and it just went from bad to worse. Most mastering type dudes just did what they were paid to do by the client. So it would see, from the debate over the years most seemed to be ambivalent to it or outright dislike it.
There are some genres of music who may benefit from the technique but its ubiquity made it over used and it got a bit silly.
Me I prefer the dynamics so you can have the different lifts and more/less powerful parts in context.
Nil Satis Nisi Optimum
KVR have at least one free one though. No idea what it's like yet obviously.