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So there is some integral ‘asymmetry’ due to the fact that one coil is screw and the other coil is slug?
There is nothing wrong with matched coils if that is the tone you want mind.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Say you had a PAF style pickup and you wound it to a certain spec with air coils instead of bobbins, how would you expect it to differ in sound from a pickup wound to the same spec using bobbins?
Cheers.
Let me start at the beginning. What makes hum cancelling pickups hum cancelling is having equal amounts of wire wound on bobbins with opposite magnetic polarities. Now with your Strat when you turn on that third coil you have a two to one ratio of wire two coils with much more wire collectively than the other - so you won't get hum cancelling.
You can have a humbucker with any number of coils you fancy so long as the number of turns at one polarity match the number of turns of the other you get hum cancelling. So for the sake of example you could have 15000 turns spread over three coils 'south up' and a fat coil with 15000 turns on it only 'north up ... and you have a four coil humbucker.
A three coil humbucker just has the same amount of wire on one coil as the sum of the other two ... hey presto.
The reason for using the triple coil design is in keeping the collective coil shape as close to that of a P90 as possible ... because coil shape is a major part of tone.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
a proper air coil has a roughly circular or oval cross section and is almost the most scatter wound and loose a coil can be within a pickup ... it's not even the same as winding around a magnet, as the coil when taped up is a sort of floppy, amorphous doughnut that just sits around the magnet in the centre. Old air coils were seldom potted though some like Burns did use self amalgamating wire from time to time.
All this means it's actually impossible to put as much wire of a given gauge in an air coil of a comparable size to a normally wound bobbin. Generally air coils are low to very low output and use fine wire (an exception being Burns) - the advantage being a very warm and 'woody' tone - which is great because some of the best jazz guitar pickups are air coils or versions of air coils.
Winding an air coil humbucker is certainly possible, though by necessity it's much larger than a conventional humbucker. On a specially made, custom Jazz box one would do wonders ... and if anybody want's to ask me to make one for that ... great, but it would almost certainly have to be a one off form factor.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Not dumb at all:
This is due to the fact that all but some fully epoxy potted guitar pickups are microphonic - even at levels that don't translate handling noise - but do translate resonances from the body into electrical signals. The mechanism for this is simple, a guitar pickup is exactly the same 'gadget' as a vocal microphone except it has no diaphragm. In a guitar pickup every single loop of wire, magnet and screw has a small amount of movement, and that movement acts like a diaphragm. This is so pronounced on some pickups you can turn up your amp and shout into your pickups and your voice will be audible through your speakers!
Now of course too much microphony is bad as you get squeal and feedback - this is why we pot pickups ... however not too much so as to kill off the 'good' microphony.
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message
Formerly TheGuitarWeasel ... Oil City Pickups ... Oil City Blog 7 String.org profile and message