@lixarto said this about Rainbow's Difficult to cure EllPee: Top stuff - with the exception of some rather dated keyboard sounds.
I'd like to raise the subject of what is a "dated" keyboard sound, and if such a thing exists, is there really anything wrong with it?
'Tis true that some keyboards went in and out of fashion, which could "date" a sound, but you'll still hear Hammond and Rhodes sounds being used without people calling them "dated". Likewise pipe organ, piano & harpsichord! So what is it with 1980s keys?
Even if a keyboard sound leads us to conclude that the recording had to have been made at a date later than the arrival of that keyboard on the market, and was likely to have been made prior to the arrival of another product which displaced it in popularity, is there anything wrong with that?
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That said, Its probably due for a come back.
Along with chorus, the other 80s sound I would like to come back into fashion is fretless bass. Poor old Pino Pallidino had to reinvented himself as a modern day James Jamerson and bought a fretted P bass.
Bring back the Music Man!
Bandcamp
Spotify, Apple et al
Rather than dated per se for me it is more that when those certain keys were all the rage so these sounds got overused and under disguised and/or edited. Then I think they become a bit more of their time as soon as newer sounds de jour appear.
Possibly dated keyboard sounds... but unique so I love it. Rory and the band could do no wrong in my eyes!
Possibly dated keyboard sounds... but unique so I love it. Rory and the band could do no wrong in my eyes!
Some of the live late 70's Rainbow with extended keyboard solos- it's not so much the sounds as the solos' length that dates it.
I don't see these as that naff now though, just of their time.
That said the Stock Aitken Waterman stuff always has sounded to be the musical equivalent of cheap plastic to me.
Fast forward to 2.30 ...
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This sort of thing?
Some of his productions (Grace Jones's 'Slave to the Rhythm' springs to mind) were superb.