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That is just what OC-2 models do. Warbly, glitchy and apparently that's why they have a character!
I have no idea why the OC-2 is loved so much.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
The "Oct 2" mode is a copy of the old OC-2 pedal, hence I called it that.
You can help it track better by putting a compressor in front of it, but many OC-2 lovers claim the glitchy stuff is part of the charm.
https://speakerimpedance.co.uk/?act=two_parallel&page=calculator
Like a lot of technically bad sounds it can be useful when you get familiar with them - you can usually get it to do it, or not, depending on how you pick and where on the neck you're playing.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
It’s worth remembering that feedback and even distortion were once considered unmusical problems with amplification, until players learned to use them creatively. The OC-2 is just a bit more unpredictable.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein