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Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
Very fast and accurate tracking, and perfect for Lizzy harmonies. The only fiddly thing about it is that the controls are a bit cramped, and you need to dial in the correct key and major/ minor scale, and/ or interval, and under low light your eyesight needs to be good enough (mine isn't) but I've learned where the controls look and feel right, so it's not a deal breaker. Your singer has to be trained to talk waffly-bollocks to the audience for a few seconds while you set it up live.
The other thing the PS-6 is brilliant for is doing an octave below, which if you mix it in subtly and sparingly really fattens out a lead break quite tastefully. Completely at the other end, if you put the sub octave into a Big Muff running flat out, with oodles of delay added like a rich sauce, you get quite the most wonderful monster sound of supreme fuzzy gain heaven.
My music:- https://soundcloud.com/hubobulous
* or "Ab" if playing in a flat tuning... the results are like bad jazz if you forget to do this
Synyster gates uses an axe fx ii with several pre programmed patches, but I suspect the boss intelligent harmoniser is a really good compromise. Actually, pgs have a demo of it - watch the demo of the boss power stack, and they use one on it - sounds great!
Power stack sounded good to me too but was a bit noisy when it was up to higher than room volume
I used the harmoniser on a GT8 to play the second solo of "Show must go on" by Queen. I used the Expression pedal to bring the harmony in and out, then the Control pedal to change the interval. Sounded pretty good.
I still play "Show must go on", but have gone to a simple guitar and amp set up. I'm not sure anyone notices. But for Lizzy, you could really do with a wing man!