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If so I apologise!
Wood combination isn't to my taste (as it turned out, had a Gibson that was mahogany and ebony and had similar issues) neither was the stupid mismatched hardware (chrome bridge with black knobs and tuners...)
bridge humbucker sounded terrible - coupled with the stupidest pickup selection from the factory (who puts a 3-way toggle on a HSS guitar?!?)
stupid fucking branding
I kept mine in various pieces, the body eventually going on the fire, one cold winter. So I suppose it did have one redeeming feature!
I've got a very similar Teisco I use solely for slide. Pickups are surprisingly powerful and raunchy.
I guess some of us have to go through experiences of the indifferent stuff so that we save ourselves more pain later on.
Beautiful manufacture ,look,wood and hardware
Superb neck and overall quality
I just hated the sound of the Di Marzio pickups and especially the middle out of phase position
...........I changed the pickups and although it played superbly I just didn't like the very bright sound
some kind of cheap Kay catalogue thing when I was 11. Horrible. But it made me resilient and determined to get a better one
a Satellite Les Paul Cutom copy. Cheap and nasty with crap pickups but it was a lot better than the first one and it made me want to get a real lp Custom which I did when I was 19.
1966 Fender Coronado with a wobbly tiny neck and felt like it was made out of paper.
Back to the main thread question;
Electric , a first generation, first year of production Gibson Jimmy Page signature LP. It looked lovely but was as poor a Les Paul of the many I have owned) in every way. Thankfully, a collector loved it and paid what he considered an appropriate price for it.
Acoustic , A Taylor 812C back in the day when they were less common in the UK (late 80;s/early 90's) A guitar that did none of the things I wanted in a good acoustic.
I also had one of these as my first electric and whilst it wasn't "put-some-new-pickups-in-and-it-sounds-lile-a-vintage-Fender" it was miles better than my acoustic, which required Schwarzenegger strength to play a barre chord. I'll admit, though, that the frets were made from a metal that only just qualified as a solid.
£50 inc. the amp from a friend in the village. Looked nice but the bridge was lifted about as high as it could go, action was incredibly high and the high E seemed to break all the time, though that could be me. Ended up trading it back to him for a Washburn BT-2 I think.
To be fair, the guy I sold it to was over the moon with it
Apart from that I don't know if I've had any genuinely bad guitars, but there were lots I took an instant dislike to - Bacchus Explorer, Greco SG, Fender '50s Classic Player, a couple of Tokais, even a PRS or two. None of them were kept for very long.