Thanks to all your good advice I've purchased a Fractal FM3, which is on the way!
I thought amplifying it would be a straightforward matter.... how wrong I was. There are monitors, speakers, FRFR, cabs, headphones..... good god it's a rabbit hole - one I was not prepared for!
The Friedman FRFR cabs seems to be well loved, although I don't need to gig with it so am not sure if that might be a bit OTT.
I like the idea of a stereo setup, but I don't want to compromise too far on sound quality. I've got nice speakers/amp for my music but I'm not sure how suitable that would be for guitar.
Any views on this?
The little Headrush units seem rather well reviewed - I thought I could get one of those then another if I like the sound?
Comments
is it crazy how saying sentences backwards creates backwards sentences saying how crazy it is?
1. FRFR. Makes use of cabinet/speaker IRs which gives you the widest tonal variation. HOWEVER, its a "recorded" sound. Its what you hear on a record, its what you hear in studio headphones when recording. Its not what you hear as a guitarist in front of an amp. There are some solutions that try to get some of that feeling back, some are better at it that others. Some people love this way of doing things, others just dont gel with it. If you go this way there are many options. any PA can would do this (obviously the better quality the better sound), specialist FRFR monitors like the Friendam you mention and Matrix stuff, plain headphones, studio monitors - and yes even a Hifi. Some suit home use, others live use better.
2. Traditional cab. This treats the modeller as an amp head basically. You plug it into a power amp (valve or SS - normally rack but there are options such as the Fryette Power station as well) and a regular guitar cab. You gain a much more failure "players" perspective BUT you loose sonic flexibility. Its like having loads of heads and plugging them all into your favourite cab. many find this the most satisfying and happily forgo the cab irs.
Nobody can tell you which way you will prefer..... You need to try.
In your case, you have a decent home Hifi - and as long as you have an external input that is compatible (1/4 jack is ideal but you may bee a custom cable or converters to go jack to phono for instance). You know how it sounds, you know how the music you listen to -= and the guitars in particular sound on that. Id be using that initially to see how you like FRFR (and stereo). If you like it - then you can just keep it that way OR invest in an FRFR solution dedicated to guitar (at home I would always tend to a pair of studio monitors -= stereo and flat(ish) response). If you dont, then you can try the alternative or a power amp and cab.
I will also do late night noodling through some Rokit 5 monitors and enjoy that too.
If you have a guitar amp with an effect loop you can also use that (put the FM3 through the return of the loop. I did this with a Lonestar head a few years back and the tone was great.
View my feedback at www.thefretboard.co.uk/discussion/comment/1201922
The Genelec monitors look a good option if I don't want to put through a 212 cab (Creamback M and Neo Creamback) and presumably I can use the FX return of my Mesa V:25 in the interim whilst I consider/save for something like an SD Powerstage or similar? (as also looking at a setup to put a BeatBuddy through separate to guitar amp n cab)...
Time to get saving some more I guess hehe
My band, Red For Dissent
Since the announcements regarding the winding down of lock down, I've somehow got 4 gigs booked....so simply have to buy more gear....
Ebay mark7777_1
The whole moDELLINg thing is about which speakers you play it through.
Ive just snagged the used Redsound that was on this forum; Im amazed nobody went for it !
I have 3 set up options hence, with the FM3;
1. Genelec 8010s
- my home setup - sounds great and has brilliant stereo.
2. Redsound RS12
- live/rehearsal/church
- the RS can also be used with the Genelecs, and the PA, and a real amp.
3. Redsound plus real amp
- 2 output from FM3 into my Matchless/ TMDR
4. FM3 into a real amp
- FX only, maybe into the Matchless loop
First time I plugged it in with my Pod Go I simply couldn't believe that what I was hearing was coming from something so small that only had an 8" speaker! The sound quality is phenomenal and MASSIVE. The bottom end has to be heard to be believed, in a good way. Rated at 2000w, the 108 can be positioned several ways on the floor or can be pole mounted. Price is under £200.
I bought it for home use, rehearsals and small clubs where PA might be limited or where I could use as a rehearsal or gig monitor cab.
There is a FRFR112 that has a 12" speaker. Broadly it's the same 2000w but near double the size and weight (the 108 is 19lbs, the 112 is 36lbs...that's a big difference!), but it's only around £50 more expensive. For my needs the FRFR108 is perfect, particularly as size and weight are key considerations.
Phenomenal value, seriously loud, great quality and tone, I think you'd be hard pushed to find better, even at twice the price.
My friend is the UK distributor for Redsound and was offering forum members a discount at one point - https://www.clearsoundmusic.co.uk/
I've heard the Redsounds being tried/tested/compared and being used live with both a Kemper and Helix - the comparison tests were with PA speakers, a Yamaha DRX and Atomic cabs and there was a boutique valve amp on hand, too. For me, the Redsounds were streets ahead and that 'in the room', 'more amp-like' sound is definitely there with them and they work really well on bass, too. I also didn't find the cab directional and it felt like I was playing through an amp and modelled sounds seem to come alive and sound a little more natural.
The RS cabs aren't big or heavy and have enough volume for live, but also sounded fine at whisper/home levels. However, if you want a stereo set-up for home, maybe a pair of good studio monitors might suit you better, but the Redsounds are good
The Redsounds are around 16kgs (37lbs) in weight
Sorry, I amended my original message