It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
After the beam I use Stewmac diamond coated fret levelers then after recrowning increasingly fine abrasives and Micromesh pads to polish the frets.
Using the tool, I can see that a fret is higher than the two frets either side of it. However, the fret next to it is also higher than the adjacent frets. I'm not sure what's going on there.
Bear in mind that if you dive-bomb it, the nut has to resist almost the entire string tension since the part on the headstock side is still at full tension whereas the part over the fingerboard is almost slack.
This is why they're often done with two Allen bolts right through the neck instead of wood screws from the top.
"Take these three items, some WD-40, a vise grip, and a roll of duct tape. Any man worth his salt can fix almost any problem with this stuff alone." - Walt Kowalski
"Only two things are infinite - the universe, and human stupidity. And I'm not sure about the universe." - Albert Einstein
The most I'll do is, if I put a D-Tuna on there, use the D-Tuna itself as the equivalent of behind-the-nut bends on the bottom string.
For a start...I somewhat underestimated the challenge of levelling stainless steel frets. I went through all of the sandpaper I had in the house, and still had to bring a couple of frets down by hand with a file.
There were a couple of flat spots that I'd missed when crowning, but only marginally - they don't affect the playability or intonation, so...go me.
The only issue I've got is that the 22nd (last) fret is a bit high, so bends above the 15th fret on the top two strings are choking. I'll strip it and sort that in the morning.
That aside, though...it's gone from being the worst-playing guitar I've got to the best, with a couple of hours' elbow grease. I'm pretty chuffed with that
If it was me , I would prepare myself for it . I only say that , because I know quite a few grades of stainless steel well and I know how bastard of a job it can be !
Any photos of how it looks like now and before ?
No photos, I'm afraid, 'cos my phone doesn't seem to want to focus that close.
Just trying to wake up, then I'm de-stringing it and sorting out the last few frets. On the bright side, now that this guitar's done...the stainless steel frets mean I'm unlikely to ever need to do it again. The rest of my guitars have nickel frets, which definitely seems like the way forward for practice purposes...
Really wishing I'd gone for locking tuners at the same time!
EDIT: It's not overselling it to say that this guitar plays so well now, it's made me fall in love with playing guitar all over again. I spent two hours yesterday and two hours today just playing for the hell of it, which I haven't done in years. It also sounds perfect now too - I swapped the P90 in the bridge (which was too bassy, and not defined enough) for a DiMarzio Tone Zone T, which complements the guitar and the Little '59 in the neck brilliantly. Soooooo happy, which is also a rare thing for me!
EDIT 2: Just bought some Gotoh locking tuners that match the rest of the hardware, because I'm not compromising on this guitar