Up or Down

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Which is more important to you.....the up or down stroke?
tae be or not tae be
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  • vizviz Frets: 10690
    Are we talking guitar?
    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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  • sev112sev112 Frets: 2760
    Downstrum is about timing
    Up strum  is about groove 
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  • tabanotabano Frets: 100
    depending on the accents really,

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  • as a southpaw - I spent several years playing my Dad's right handed guitars the wrong way up - as he gigged them and, for a while, that was the sole income for the household. 

    As a result my up-stroke in chords needed to be stronger and clearer to emulate other musicians (an important part of learning)

    That means decades later, I still sometimes start on the upstroke (okay for Reggae and Bossanova) but not so good for everything else.

    I had a lesson with Phil Robson once a long time ago and he practised playing tunes with nothing but down strokes.. 

    I don't know if either is more important. or if one direction is weighted for one thing or the other ... my left hand (picking hand) is still a complete mystery to me :(
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  • If I can be a facetious arse for a moment, I am finding that it's actually the strums I don't make that I'm focusing on - if you take down-down-down-down and down-up-down-up-down-up-down-up as the default patterns, it's the beats I don't play that make my playing (such as it is) sound better and more musical.

    As a beginner, I'd say that down strums are the most important in general though.
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  • octatonicoctatonic Frets: 33793
    Depends on the player.
    People should work on their weaknesses, if your downstrokes are weak then work on them... I am sure you can fill in the rest.
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  • vizviz Frets: 10690
    octatonic said:

    I am sure you can fill in the rest.

    With an upstroke. 
    Roland said: Scales are primarily a tool for categorising knowledge, not a rule for what can or cannot be played.
    Supportact said: [my style is] probably more an accumulation of limitations and bad habits than a 'style'.
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  • slackerslacker Frets: 2236
    Imho depends on the music.

    Ramones-down
    Reggae-up
    Nile Rodgers-down up very fast and mute for accents

    And so on.

    I don't actually think about it as technique just how to play the song.
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  • LewyLewy Frets: 4187
    edited October 2021
    Downstroke, because I use the bluegrass/flat picking philosophy of downstroke on the downbeat, upstroke on the offbeat, so for me downstroke is always the beat (or rather the beat is always a downstroke)
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  • NiteflyNitefly Frets: 4910
    I'm sure I read once that John Lennon only played downstrokes in his rhythm parts - anyone able to verify/disprove?

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  • MellishMellish Frets: 945
    @Nitefly I think in the Get Back rooftop performance there's a side-on view of his strumming hand that shows him doing down up. It may be a different performance I'm thinking of but I've seen it somewhere :) 
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  • They’re both important, and has already been said it depends on the song. Accenting of either upstroke or downstroke is needed for certain genres (eg some metal styles or reggae), or a particular beat in the bar. You can generally hear if something doesn’t sound quite right, so I’d suggest working on both.
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