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Joking aside they can sound remarkably different from each other so it does pay to play them before commiting. Most I have tried have wolf notes around the 12th but no normal person should care about that really
I agree that a used standard is the way to go if you like batwing guards and humbuckers. It will hold its value
I have two SGs at the moment. The one on the left is a 2016 Faded, I installed alnico 4 PAFs and drilled the bigsby in. It is not very resonant but it does have a lot of snap, almost fenderish, lots of character. It ended up being my most gigged guitar before the plague times
The one on the right is a 2005 Standard. It is really deep and mellow acoustically, and the neck is really comfortable. I installed the railhammers in yesterday for the downtuned heavies. If anything they are a good vessel for pickups
But I've never had a really good one. I'd like to find a great one at some point, ideally not in boring old cherry.
On the other hand, every time I pick up my PRS Miras I think they cover pretty much everything an SG does, they're better made and they play as well if not better. Do I really need an SG?
I like the way you've fitted that B5 a good distance from the bridge. I've also considered putting Railhammers in an SG, but so far it hasn't happened. If it ever does, it'll be my 2014 white Standard that gets them.
These are my current three, two Standards and a Custom:
Unfortunately I'm at the 'one out' point and this time it'll be an SG.
Your custom is to die for. Absolute god tier
How do you find the B3/towner combo? I am perhaps thinking of non-invasive ways to add some wobble to my standard. I tried a b7 + vibramate once but I didn't like what it did to the sustain
I loved Bare Knuckle humbucker size P90s in mine, the Mississippi Queen is still the best neck pickup I've tried I think. Would have kept it if it matched better with the 498T. If I get another humbucker guitar I'd definitely go for some P90s again in the SG, they just work.
It's a Hyper Vintage neck pickup and an Anvil bridge. I found an old pair on eBay from when they used to make them uncovered. They are probably around the same age as the guitar so it's a good visual match. I plan to take the guitar to rehearsal this week so I will report back. They are fairly bright and scooped, in theory this should complement the sound of the guitar
I have the Reeves Gabrels signature set in a Spacehawk and they are phenomenal for thick, high gain fuzz
Gibson SG Original, Heritage Cherry (2013)
Sounds like we have similar tastes in guitars - I also have a Spacehawk, but mine came with the earlier combination of Hyper-Vintage neck pickup and Alnico Grande bridge pickup. I've since gone with a Hyper-Vintage in my old Guild S-60. IIRC, the earliest version of the Spacehawk had the B50 closer to the bridge (or it may have been the prototype), and RG specifically asked for it to be moved back. Factory fitted B5s on SG are also usually located further back, like yours, but the Vibramate has to position it forwards to make use of the stopbar mounting points. I guess it's the price of having a reversible mod.
I know people have directly fitted a B7 to the SG, but you need to flip the hinge to get it to fit. I prefer the way the strings have a straighter path over the Towner bar, compared to the B7 roller, but I've no idea if it really improves the tuning stability at all.
As for "when am I ready?" You'll never be ready. It works in reverse, you become ready by doing it. - pmbomb