Hüsker Dü were a bit before my time, but I got big into Sugar in the 90s and then discovered some of Bob Mould's earlier work. Somehow though, I never managed to see Bob/Sugar live.
That changed last night when a couple of us left the office, jumped on to a searingly hot Victoria Line train and re-emerged into the rarified world of Islington's Upper Street (it's true, by the way: Islington is full of lawyers - I was with one).
So it was just Bob, a Strat (with what I think were Lace Sensors - he never moved off the bridge pickup as far as I could tell), a Blackstar Artisan (30?) and a pedalboard, which I couldn't see but strongly suspect was just a series of dirt pedals and a compressor.
Man, that guy can play the guitar. Not flashy, not particularly remarkable in terms of technical proficiency etc, but he really filled that hall with a wall of sound and dirt and emotion and melody and... joy. So nice to see a crowd enjoy it so much.
£7 for a 330ml can of Neck Oil.
Comments
I think I've come from the same place, listened to Sugar loads in the 90s, delved into Husker Du and been listening to him on and off for 20 odd years.
I'm going to see him next Friday evening im Liverpool. Really looking forward to it (plus a few beers either side !)
I bought all the Sugar stuff when it came out but passed on Bob's subsequent solo albums until quite recently, as the early ones were a bit dark and sparse, but the recent ones ( eg Sunshine Rock) are really good and a proper return to form.
Used to want an Explorer simply based on him using one in that live in London (I wore that VHS out!) before I even knew he was actually known for a V copy and was just borrowing the Explorer for that gig.
He seems to play some weird chords, his own particular way....but there were some simple but great riffs (eg Pink Turns to Blue) in their output once they'd got past the noisy Land Speed Record era.
Just a few Sugar songs are popping up on his set list, and all from Copper Blue: Hoover Dam, Helpless and If I Can't Change your Mind.
Pretty sure this is correct. It looked kind of Sherwood Green to me, but old guitar, stage lighting etc - I reckon it is the Lake Placid Blue Strat that he's known for. I've never played Lace Sensors, but the sound was thick and quite saturated on the bridge pickup. Worked well.
Just glorious. He rocks so hard his glasses steam up from the inside.
What's on that pedalboard, then? I can identify a Boss tuner.
EHX Freeze (below the Ego on the left of the board).
The other two, then?