It looks like you're new here. If you want to get involved, click one of these buttons!
Subscribe to our Patreon, and get image uploads with no ads on the site!
Base theme by DesignModo & ported to Powered by Vanilla by Chris Ireland, modified by the "theFB" team.
Comments
I decided to make a UK Garage type track purely because I haven't made one for a while and I think the clean FM sounds of the DX7 suit the genre really well (MJ Cole used a Yamaha in the studio). I made heavy use of the super cliche Lately Bass, Organ and E-Piano patches which were in a huge percentage of 80's radio hits to hammer the DX7 vibes home.
Unlike other weeks I didn't set myself a challenge to use crazy scales or chords so this one is in C Lydian and is pretty diatonic. I'm using a high F# on every chord as an upper extension to bash home the Lydian feel, but other than that it's all very basic chords.
The other challenge was to make a track with the Synthesizer V vocal synth as I've had it for a while and used it very little for completed tracks. I'm using the Solaria voice print which seems to be better than the default voices although like all of them it's a little bit musical theatre. The vocals sometimes lapse into someone auditioning for Frozen the musical.
I added a bit of Minimal Audio Evoke to give it a bit of hard tuned robot sheen.
https://m.youtube.com/playlist?list=PLHqXeUJzrCF2YTlVcw6PTw1XsW9XwA7gl
Bandcamp || Website || Feedback Thread || PayPal
Tokai Breezysound || Fender '68 Custom Deluxe Reverb || Too Many Pedals
Bandcamp || Website || Feedback Thread || PayPal
Tokai Breezysound || Fender '68 Custom Deluxe Reverb || Too Many Pedals
This is quite a departure for me
The challenge this week was to create something using Hemiola. Music with ambiguity between the rhythm being grouped in 3 or 2.
I also wanted to explore Synthesizer V further and write a more conventional song.
I did this by having a harp playing an arpeggio in 3/4 and vibraphone playing the same chords in 4/4
The song is harmonically very simple with a basic line cliche progression with the bass note walking down over a static chord.
The Harp and Vibes are from a Roland XV-5080 which sounds quite good for a 90's rompler I think. The flute solo is from Arturia Augmented Woodwinds and the piano is the Kawaii model from the excellent pianoteq.
The ghostly noises are from Arturia Fragments.
The track was made in Bitwig.
Story
The lyrics tell the story of Clara Schumann
Clara was a virtuoso pianist and the wife of the composer Richard Schumann (A master of hemiola).
He was envious of her ability and attempted to stretch his hands using a machine leading him to paralyse his fingers and becoming reliant on her to promote his music.
He was introduced to the much younger Richard Strauss who he felt was the saviour of music and promoted as the "Favoured of the muse" unfortunately Strauss fell in love with Clara and the three of them ended up in a love triangle which drove Schumann mad leading to him throwing himself off a bridge and then checking himself into an asylum.
Strauss then moved into the Schumann home looking after his wife and children, but never acting on his love due to his great respect for his mentor Schumann.
When Schumann died Strauss moved out and finally died of grief when Clara died a few years later.
This song is their story.
Lyrics
Far away
Longing to hear you play
Notes I wrote for you
Turn the page
In every score I made
Lines in three and two
And if you were here I would hold you
In these broken hands
But I gave you to
The favoured of the muse
Flute solo!
In my ears
Demons and ghosts appear
Screaming out in A
On the bridge Clara I think of you
Lost in three and two
And if you were here I would tell you
I lived inside your hands
But I lost you to
The favoured of the muse
Snow White Testarossa
No Socks Penny Loafers
He just stepped of the plane from San Tropez
Ray Ban Aviators
Chinos Padded Shoulders
He Makes me feel like I'm the only girl in here
He makes my yacht rock
My jan hammer and my moet pop
he knows what a fool believes
He wears his gucci with rolled up sleeves
Treats me like a lady
Dressed up like I'm Sade
Wrote me a solo on his CS-80
goes like....
MASSIVE SYNTH SOLO
Took me to Hawaii
Mustache like Magnum PI
He proposed while we were fighting crime
He said
You make my yacht rock
In red stilettos and a feather cut
I'm not a fool to believe
I wore my wedding dress with rolled up sleeves
Geoff Bridges is Rockwell Steele - Part time bartender at Bongo's Tiki Lounge and synth player in the house band Boogaloo Joe (Played by the real life members of Toto)
Fights crime in his Testarossa Spider. Lives on a super yacht in Marina Del Rey in LA and wears nothing but Gucci even though he has no obvious source of income other than his part time bar job..
Rosanna Arquette is Alexis Silke - Pulitser prize winning investigative journalist and part time swimwear model.
Together they are the crime fighting duo Silke and Steele.
Bongo - Dean Stockwell owner of Bongo's Tiki Lounge and creator of PORCARO (Patchable, Oscillator, Routing, Crime, Analysis, Reasoning Operating-system) - A self aware computer and modular synthesizer which they use to fight crime.
Their main plot of the show relates to a drug triangle between LA, Hawaii and Miami leading to the show having regular crossovers with Magnum PI and Miami Vice.
Kenny Logins plays - Santino the drug gang enforcer and Christoper Cross plays the shadowy "El Conquistador" the kingpin of the whole organisation.
Eventually when the ratings slip PORCARO is downloaded into a futuristic hovercraft deigned by knight industries and he becomes "Hover Cop" although many people feel the show jumped the shark at this point.
Music Breakdown
This started as a lofi indie / hiphop track, with some weird modal mixture chords.
A: Am7 -> Cm9 -> Bm7 -> Fmaj7 -> Am7 -> Cm9 -> Bm7 -> E7
B: Dmaj9 -> Gmaj9 -> Dmaj9 -> F#m7 -> E7
When I was trying to work out what they were called Gemini commented they were "Yacht Rock" chords which set me off on the lyrical theme and accounts for why the lyrics don't really match the musical style.
Musically it's very simple: Easy drummer for the beat with a very damped 70's type kit. Moog Bass from The Legend, Prophet 5 keys from Repro 5, Arturia Yangtze for the instrumental lead riff,
The solo is a tribute to Rosanna, but the Purdy shuffle on the drums sounds a bit weird at the higher tempo.
Depite declaring it to be on a CS-80 I found it didn't sound right for the Rosanna style solo. Looking up the original it's apparently a layered CS-80, Moog, Prophet and Jupiter (The 80's huh
) I used an Oberheim via Obsession as that always screams 80's synth solo to me.
Vocals are once again Synthesizer V Solaria, she makes an excellent Alexis Silke.
both tracks are really good. I've started watching Miami Vice again right from the very first episode, am on S1 E11 I think, maybe a bit later. Love the vibe!
I finally got round to publishing this track, it's been sitting in my files for months, so I just thought, stop faffing, render it and master it and be done with it. I was coming from a late 80s/early 90s 808 State + Orbital vibe.....
Most of the arps were done with Z3TA+ 2
the "wob wob" bass clip was done using Massive X
Rest is from Omnisphere 2, Absynth, I think the lead vox humana is from Omnisphere
Drums - various sample packs and Butch Vig Drums.
Ravey horn - Battery 4
A few samples here and there, crowd noise etc.
Mastering in Ozone 11
Various plugins - Soundtoys & NI mostly.
Thanks!
Weekly beats has really upped my production game.
I like this a lot. - You should put it in the composition challenge.
Once suggestion might be maybe to sidechain some of the synths to the kick drum to give them a bit more bounce.
Def getting the prodigy / 808 state vibe.
Doing weekly beats has been huge for me in terms of getting stuff done and you can drop into it mid way through the year and there is no demand to do something every week.
I very rarely play guitar these days.
Love this.
Great kind of electronic prog rock vibe and some awesome chord changes.
The bass player was great at offsetting things. The shifty bit near the end is all my own work though.
Love this dude!
Starts off like some post punk moody thing then just explodes into classic Sporky crazy arpeggios.